Quotes About Fiction

In fiction, every treachery and setback appears to serve some end: the characters learn and grow and come into their own. In life, it is not always clear that the hijacking of our plans is quite so provident or benign.

do not , under any circumstances, belittle a work of fiction by trying to turn it into a carbon copy of real life; what we search for in fiction is not so much reality but the epiphany of truth.

The way we view fiction is a reflection of how we define ourselves as a nation. Works of the imagination are canaries in the coal mine, the measure by which we can evaluate the health of the rest of society.

I explained that most great works of the imagination were meant to make you feel like a stranger in your own home. The best fiction always forced us to question what we took for granted. It questioned traditions and expectations when they seemed to immutable.

Even the mild-mannered Sophia Western of Tom Jones and Richardson's annoyingly pious Clarissa Harlow distinguished themselves by saying no to the authority of their parents, their societies, and norms and demanding to marry the man they chose. Perhaps it was exactly because women were deprived of so much in their real lives that they became so subversive in the realm of fiction, refusing the authority imposed on them, breaking out of old structures, not submitting.

The best fiction always forced us to question what we took for granted.

Again she repeated that she would never get married, never ever. She said that for her a man always existed in books, that she would spend the rest of her life with Mr. Darcy—even in the books, there were few men for her.

All our lives my brother and I were caught by the fictions my parents told us—fictions about themselves as well as others. Each wanted us to judge the other in his or her favor. Sometimes I felt cheated, as if they never allowed us to have a story of our own. It is only now that I understand how much their story was also mine.

We were, to borrow from Nabokov, to experience how the ordinary pebble of ordinary life could be transformed into a jewel through the magic eye of fiction.

Is it possible to write a reverent novel," said Nassrin, "and to have it be good? Besides, the contract with the reader is that this is not reality, it's an invented world. There must be some blasted space in life," she added crossly, "where we can be offensive, for God's sake.

what we search for in fiction is not so much reality but the epiphany of truth.

In all great works of fiction, regardless of the grim reality they present, there is an affirmation of life against the transience of that life, an essential defiance. This

I wrote on the board one of my favorite lines from the German thinker Theodor Adorno: "The highest form of morality is not to feel at home in one's own home." I explained that most great works of the imagination were meant to make you feel like a stranger in your own home. The best fiction always forced us to question what we took for granted. It questioned traditions and expectations when they seemed too immutable.

German thinker Theodor Adorno: "The highest form of morality is not to feel at home in one's own home." I explained that most great works of the imagination were meant to make you feel like a stranger in your own home. The best fiction always forced us to question what we took for granted. It questioned traditions and expectations when they seemed too immutable.

The more I discovered the lyrical quality of our lives, the more my own life became a web of fiction.

I explained that most great works of the imagination were meant to make you feel like a stranger in your own home. The best fiction always forced us to question what we took for granted. It questioned traditions and expectations when they seemed too immutable. I told my students I wanted them in their readings to consider in what ways these works unsettled them, made them a little uneasy, made them look around and consider the world, like Alice in Wonderland, through different eyes.

Again she repeated that she would never get married, never ever. She said that for her a man always existed in books, that she would spend the rest of her life with Mr. Darcy—even in the books, there were few men for her. What was wrong with that?

Non sminuire mai, in nessuna circostanza, un'opera letteraria cercando di trasformarla in una copia della vita reale.

Un grande romanzo acuisce le vostre percezioni, vi fa sentire la complessità della vita e degli individui, e vi difende dall'ipocrita certezza della validità delle vostre opinioni, nella morale a compartimenti stagni.

Like all great mythmakers, he had tried to fashion reality out of his dream, and in the end, like Humbert, he had managed to destroy both reality and his dream.

I realized this was now part of my job: maintaining an outward sense of normalcy, upholding for everyone the fiction that we live in a safe and orderly world, even as I stared down the dark hole of chance and prepared as best I could for the possibility that at any given moment on any given day chaos might break through.

But life could not be lived between the pages of a romance novel.

Literature duplicates the experience of living in a way that nothing else can, drawing you so fully into another life that you temporarily forget you have one of your own. That is why you read it, and might even sit up in bed till early dawn, trowing your whole tomorrow out of whack, simply to find out what happens to some people who, you know perfectly well, are made up.

a good story doesn't just copy life, it pushes back on it.