Quotes About Fiction

A jury verdict is just a guess - a well-intentioned guess, generally, but you simply cannot tell fact from fiction by taking a vote.

Too many words for one book--truth might be stranger than fiction, but it needs a better editor.

might be stranger than fiction, but it needs a better editor.

There's no doubt that scientific training helps many authors to write better science fiction. And yet, several of the very best were English majors who could not parse a differential equation to save their lives.

Predicting has a spotty record in science fiction. I've had some failures. On the other hand, I also predicted the fall of the Berlin Wall and the rise of fundamentalist Islam... and I'm not happy to be right in all of those cases.

this Revolutionary ideology, epitomized by the opening lines of the Declaration of Independence, showed that the very idea of slavery is a fiction or fraud, since liberty and equality are fundamental rights that no one can legitimately lose.

After reading four pages of continuous ten-year-old dialogue magically recalled by someone who was in the throes of alcohol withdrawal at the time, I wondered how he did it. No I didn't. I knew he made it up. It was easy and defendable, really, sublimating and eliding the past in service of a larger Emotional Truth.

Writers possess only four tools: research, experience, empathy, and imagination. Fortunately, whole worlds can be built from them.

All fiction that does not violate the laws of physics is fact.

Alice aurait pu se retrouver dans le roman d'un grand écrivain tchèque, mais elle a préféré être dans ma vie.

Un ser humano es un condensado de autoficción.

To say that a writer's hold on reality is tenuous is an understatement-it's like saying the Titanic had a rough crossing. Writer's build their own realities, move into them and occasionally send letters home. The only difference between a writer and a crazy person is that a writer gets paid for it.

Scientists in 2020 are not (as readers of mid-twentieth-century science fiction might have hoped) encountering alien civilizations in distant star systems; but they are encountering radically different forms of society under their own feet, some forgotten and newly rediscovered, others more familiar, but now understood in entirely new ways.

I was totally absorbed in the real world, the politics, the history, the news, and I just couldn't find my way into the fictional world... When I finally could return to writing the novel, it was in fits and starts.

These data actually construct the fiction of a national economy when really there is no such thing; in Marx's terms, it is a fetish construct.

There is an argument for believing that the entire process of writing a piece of fiction is simply a thinly-controlled and highly-internalised nervous breakdown designed, with a bit of luck, to produce something worthwhile at the end.

Only an extreme control freak would withhold his academic transcripts from public view simply so as to avoid any public discussion of what possible ideological influence either Walder's impressive reading list or Len Davis's teaching about the political uses of fiction might have had upon an intellectually hungry twenty-one-year-old mind.

Horror fiction seems to spawn more dumbass 'rules' than any other kind of writing, and one of the dumbest is the assumed 'requirement' of a twist ending, going all the way back to H.H. Munro. This story is also the result of a long rumination on how stories are sometimes scuttled or diminished by succumbing to such 'rules'.

continuar trabajando o para evadirse del mundo con una serie de televisión o una novela negra.

IS SCIENCE FICTION ABOUT TO GO BLIND?" asks _Popular Science_ associate editor Gregory Mone, apparently worried that this may be a symptom of too much fondling of one's Singularity.

Meggie Folchart: Having writer's block? Maybe I can help. Fenoglio: Oh yes, that's right. You want to be a writer, don't you? Meggie Folchart: You say that as if it's a bad thing. Fenoglio: Oh no, it's just a lonely thing. Sometimes the world you create on the page seems more friendly and alive than the world you actually live in.

Yeah, there's stuff that really good fiction can do that other forms of art can't do as well. And the big thing, the big thing seems to be, sort of leapin' over that wall of self, and portraying inner experience. And setting up, I think, a kind of intimate conversation between two consciences.

We're a bundle of incompatible parts, and we make up stories about ourselves to disguise the fact. The mental unity of the individual is a fiction. There is simply, in the human machine, a multitude of loosely linked behaviour systems which take control of the body and participate in a common delusion of being one single self

Fiction, with its preference for what is small and might elsewhere seem irrelevant; its facility for smuggling us into another skin and allowing us to live a new life there; its painstaking devotion to what without it might go unnoticed and unseen; its respect for contingency, and the unlikely and odd; its willingness to expose itself to moments of low, almost animal being and make them nobly illuminating, can deliver truths we might not otherwise stumble on.