Quotes About Scripts

The cost of automating acceptance tests is so small in comparison to the cost of executing manual test plans that it makes no economic sense to write scripts for humans to execute.

I've been blessed with some lovely scripts and a character that people could truly identify with. It's one of those surprises in life that makes you think, 'God was smiling on me that particular day.

We too often act from scripts generated by the crises of long ago that we've all but consciously forgotten. We behave according to an archaic logic which now escapes us, following a meaning we can't properly lay bare to those we depend on most. We may struggle to know which period of our lives we are really in, with whom we are truly dealing and what sort of behaviour the person before us is rightfully owed. WE can be a little tricky to be around.

Role modeling is the most basic responsibility of parents. Parents are handing life's scripts to their children, scripts that in all likelihood will be acted out for the rest of the children's lives.

I'm kind of a nerd when it comes to literature and theory. I wish I could have more of that in life, but I don't because I'm always reading scripts or things to prepare for movies when I'm reading.

It fills me with dismay sometimes when you look at the scripts that do come to you that are primarily focused on violence. There are so many other things to play around with.

I was not the kind of a principal player that was so in demand that eight or 10 or 12 scripts came per month.

I have enjoyed writing my own stuff, and it's been a privilege to be able to scrap some money together to be able to make films from my own scripts.

I have written a bunch of scripts that have not gotten produced, much more so early in my career than later.

No one cares about your ideas. They're not going to come knocking on your door looking for ideas. They're going to want some concrete evidence that you have the potential to serve them or give them value for money. So that's my advice: write your spec scripts, no matter what. They're essential as a calling card, even if they don't get produced.

India needs better producers than screenwriters. No producer wants to invest in out-of-the way scripts.

I've been working with a lot of people out in Hollywood on writing scripts, screenplays, directing, producing, and making music.

I look at scripts really for whether they can be moving or penetrate some kind of truth. You are constantly chasing that feeling as an actor when every part of a production comes together.

There's editing, and scripts to read and edit, and casting, and all the elements of production that just sort of take up the normal downtime that you would have as an actor. So there's not a lot of that for me.

I was looking to become more proactive with my career because I wasn't crazy with some of the scripts I was getting - this was before Blow and Hannibal - so I decided to start my own production company.

The beauty with U.K. productions is that, most of the time, you get all of the scripts when you audition for them.

First episodes are difficult things to write.

A lot of scripts that I was given I didn't feel were right for me, because I didn't feel anything for them - I didn't feel like I was going to change in life and start directing.

I can take scripts directly to actors. Agents don't like to hear that.

It's usually the exact same three things which are, the Scripts, the Director and the Role those are the three things I look for and really any two of them, If I get two of them that's usually enough, but definitely those are the things I look for.

I'm trying to work only with established, respected directors. I took a lot of bad scripts and worked for a lot of lazy directors, and it was discouraging to go to the screenings and see that the director had added nothing, the editor had added nothing, there was nothing to see.

If you want more diversity in the industry, you need diverse people writing scripts and developing them.

I've been involved with great scripts and so-so leadership, and it's clear to me that leadership is the most compelling factor.

If my fans only want me to do a certain kind of films, then 'Naanaku Prematho' would have failed miserably. They've entrusted me with the freedom to select good and different scripts.