Quotes About Inanna

The world's first love story, two thousand years older than the Bible—tender, erotic, shocking, and compassionate—is more than momentary entertainment. It is a sacred story that has the intention of bringing its audience to a new spiritual place. With Inanna, we enter the place of exploration: the place where not all energies have been tamed or ordered.

Banishing them to wild and ferocious brokenness. The possibility that there is a place in them, in everyone, that is unbroken, that has never gained a pound, never been hungry, never been wounded, seems like a myth as far-fetched as the Sumerian goddess Inanna ascending to earth after hanging on a meat hook in hell.

Lions were also frequently associated with Asherah, she was often depicted standing on the back of a lion, or seated on a lion throne. This was common for a number of Middle Eastern goddesses of the time, including Inanna, Astarte and Qudshu. Indeed there is "a mass of inscriptional evidence from the Levantine Iron Age showing that a frequent epithet of the goddess Asherah was 'the Lion Lady'.

The Hebrew word is actually Lilith, which the Dictionary of Deities and Demons in the Bible explains is a Mesopotamian demoness residing in a tree that reaches back to the third millennium BC. Here we find Inanna (Ishtar) who plants a tree later hoping to cut from its wood a throne and a bed for herself. But as the tree grows, a snake makes its nest at its roots, Anzu settled in the top and in the trunk the demon ki-sikil-líl-lá [Lilith] makes her lair.[15]

I can think of no greater privilege than being a child bearer of the gods! And that privilege begins today. All those women who desire the Sacred Marriage say your goodbyes to your fathers, your husbands, your siblings and your lords, and come to the holy shrine of Enlil this evening. We will perform a mass marriage ceremony and celebrate your newly exalted status!" Inanna was smugly satisfied with her delivery.

Come Inanna, enter, Neti said to her, and as Inanna entered the first gate, the sugurra, crown of the steppe, was taken from her head. - What is this? asked Inanna - Quiet, Inanna, she was told. The customs of the city of the dead are perfect. They may not be questioned.

From the ancient Inanna forcing herself to the underworld to visit her sister, Ereshkigal— passing through the seven gates of the underworld and then being hung on a hook, rotting— where she had to look at her sister, and her sister had to look at her. Both needed to see inside themselves, to see inside their own shadows. To come to terms with who they really were, not who they thought they were.