Quotes About Turntables

Pete Dj Jones was the first person that I saw with 2 turntables. This was 1972.

To me, the whole thing with the roots of rap music was when the DJ had to supply all the music for the group with two turntables. And the whole criteria of what that DJ would use had nothing to do with what type of band made a record.

I knew there was a way to blend records together, but I didn't know how to. This was haunting me when I was in my teens. In my frustration, I decided to start experimenting with electronics. I tested the torque factor on different turntables. I had to figure needles out. See, there are two kinds, elliptical and conical.

Eventually we want to do a puppet musical with turntables in the orchestra pit.

A certain administration which I won't call by name took the arts out of the schools, and that left the brothers out on the street with nothing, so they went to the turntables and started rhyming. Then they had a way to express themselves, and that's the birth of hip-hop.

At the center of all that gear was the opening DJ, R2-D2, hard at work, using his various robotic arms to work the turntables. I recognized the tune he was playing: the '88 remix of New Order's "Blue Monday," with a lot of Star Wars droid sound samples mixed in.

At the center of all that gear was the opening DJ, R2-D2, hard at work, using his various robotic arms to work the turntables.

I named myself Flash many years ago, as I loved the cartoon. Then my own fans said that I should call myself 'Grandmaster,' because of the way I operate turntables. I put the two together and that was it.

We tried to act trendy. We took one of our songs and tried to make a dance mix. They put it on the turntables, unannounced, in Los Angeles and New York the same weekend, where they had a big dance crowd going wild. It cleared the floor on both coasts.

My father was my first inspiration. He had an incredible stereo and a turntable, and I was told not to touch it. But I'd go back and touch it anyway. I gained a respect for the turntables when I was a kid. When I was a teenager, I came up with a 'cueing system' to work the turntables because they didn't have it at that time.

I certainly considered DJing. I bought four vinyls, and I bought some turntables, and I was like, 'Um. Yeah. I'm not gonna do this. This is not my thing.'

I begged and begged, and my uncle gave me his old turntables. It was one hi-fi and one old Stereo Lab turntable and a rusty mixer. I was really chuffed. I kept that for five years - that's where I learned to mix.

My uncle, who gave me my first turntables when I was ten, also gave me records to mix, but I never understood house music. I thought it was boring until I was old enough to go to a club and feel it, the fact that it actually makes you just want to dance.