Quotes About 1960s

In the 1960s both Roman Catholics and evangelical Protestants turned to popular genres of music to provide songs for Christian worship. Roman Catholic songs tended to follow the folk idiom, using acoustical instruments such as guitar and flute, whereas evangelical Protestants turned to rock music, using electronic instruments.

Until the 1960s, liberals understood themselves to be devotees of a rationality that allowed individuals to question authority on the basis of empirical and historical argumentation.

When I was growing up in the 1960s, there was starting to be more books geared towards young adults.

In the 1960s everybody knew about Christine Keeler and Mandy Rice-Davies. No matter what class people belonged to, they were talking about these two young girls who had become mixed up in the Profumo affair. Extraordinary times.

One of the most treasured books that I own is Donald Allen's 'The New American Poetry, 1945-1960.' It was a totem of great importance and potency to my group of writer friends in college from 1960 to 1964.

The original 'Star Trek' is very much a product of the '60s - the new frontier, optimism, the idea of bringing democracy to the galaxy. It's still a timeless show, but it's very much a show made in the 1960s.

Since the 1960s, there has been a tremendous expansion of the resources available to pay for health care.

I lived in France during the '60s. I was there from the early '60s until 1970, so my view of the '60s is more global. It was a time of tremendous transition, not only for America but for the whole world.

Ian Brady was born Ian Duncan Stewart on 2 January 1938 in Glasgow, Scotland, he's responsible for a series of murders that took place from 1962 until 1965 in Greater Manchester. Brady and Myra Hindley met in 1961, she was a 19-year-old typist, he was a 23-year-old stock clerk. By 1966, both were tried at Chester Assizes for multiple murder. The trial lasted 15 days; Brady and Hindley were convicted on 6 May 1966, sentenced to life imprisonment.

There's a big difference, as I'm sure you know, it's a slightly manneristic one, between people of the '60s and people of '68. Being a soixante-huitard - it's so nice to have a French word for it - is very different from just having happened to been a baby boomer in the '60s.

I'm inspired by all those women in the '60s - they look so put-together and cool at the same time, and they all were moms - moms and career women. I do wear heels, though. Pretty much always. I need to feel good about myself, so even if it's casual, I'll slip them on.

In the 1960s, you could eat anything you wanted, and of course, people were smoking cigarettes and all kinds of things, and there was no talk about fat and anything like that, and butter and cream were rife. Those were lovely days for gastronomy, I must say.

For young Americans in the 1960s, for whom the psychedelic experience was new in every way, the whole idea of involving elders was probably never going to fly. But this is, I think, the great lesson of the 1960s experiment with psychedelics: the importance of finding the proper context, or container, for these powerful chemicals and experiences. Speaking of lines, psychedelics in the 1960s did draw

In the meantime [1965-67], [Bob] Dylan was again writing some of the best love songs in the genre, like "Visions of Johanna," "Just Like a Woman," and "Sad-Eyed Lady of the Lowlands."

The Beatles, the Small Faces and the Kinks were great bands, but that was in the '60s.

Distinctions must be kept in mind,' he advised back in the 1960s, 'between quantity and quality of growth, between

I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.

The volunteers merely dropped in for a summer, then went home to question America. Some would spearhead the events that defined the 1960s—the Berkeley Free Speech Movement, the antiwar movement, the women's movement. Others, spreading ideals absorbed in Mississippi, would be forever skeptical of authority, forever democrats with a small d, and forever touched by this single season of their youth. But first, they had to survive Freedom Summer.

While only a small number of people wrestled with the philosophical problems that Schaeffer faced, by the 1960s the majority of young people wrestled with the question of authority.

Jim MacLaine was the hero of Ray Connolly's 1973 movie 'That'll Be the Day', about a young man turning his back on a university education at the turn of the '60s in order to try his hand in a rock n' roll band.

Virtually all my conscious life I had been involved in theatre - I had been a child actor - but as a young man who had experienced the 1960s, British theatre seemed remote from my aspirations in life - theatre was still a posh thing, a middle-class thing, something for an elite.

And the young people in the 1960's identified with it immediately, because, I guess the young people had been having years of repression really. They felt that the, you know, after the war everything was very austere, particularly in Europe.

When I was young in the 1960s, all the world watched the youth. Everywhere was the sensation of wanting to break the chains but to do something beautiful. It is my privilege to have beauty always near me.

From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles.