Quotes About Ticketing

Ticketing is a people-intensive business to get it right on a global scale.

It's a very competitive market. AEG has a ticketing platform, Stubhub has grown their marketshare, Vivid has come out of nowhere. It's not like venues don't have options. If you're a venue you can pick any ticket platform you want, and we have to provide a better product and win that business fair and square.

Well, men go to musicals. Women are the ones that buy the tickets for plays.

The history of the ticketing business was about barriers to entry, which kept Ticketmaster protected. That has changed.

A promoter needs to be in the e-commerce ticketing business. In a fundamental sense the promoter's job is to buy a show and go and market and sell the tickets.

We can't say to a Ticketmaster venue that says they want to use a different ticketing platform, 'If you do that, we won't put shows in your building.'

So many venues are owned by these various different ticketing and promoting people, and they're all in bed with one another. It's no secret over here.

Our platform is a one-stop shop, from marketing and promotion through to ticketing. But even in the early days, in 2006-07, when we were mostly carrying shortform video, we became the premier movie marketing platform.