Quotes About Literature

I've always liked stories. I'm always reading, ever since I was a kid. I've always been reading and wanting to be in some other world.

I feel that Italy's a country that's constantly looking out and constantly following what's happening in other cultural centers. What is being written in America, what is being published in England, what is being published in France. It's a culture that's always wanting to absorb and inform itself of other works, other writers, etc., etc.

It had to be a book that held my attention and kept me wanting to read it; when my husband finished 'The Road', I started it straight away and didn't put it down until I finished - it was such an achievement and relief to know that I could read, comprehend and, most importantly, enjoy a book!

A good part of the work is just reading a manuscript and coming to the office. I can't imagine wanting to even read an article about book publishing.

The very essence of literature is the war between emotion and intellect, between life and death. When literature becomes too intellectual - when it begins to ignore the passions, the emotions - it becomes sterile, silly, and actually without substance.

My argument is that War makes rattling good history; but Peace is poor reading.

Fantasy was something I'd read as a child. And, in fact, my teachers despaired a little bit because I refused to give up Enid Blyton. Then I walked through the wardrobe with C. S. Lewis, and I don't think I actually have returned fully from the wardrobe. So, fantasy was something that was in my life from quite young.

My dad's side of the family had lots of artists and musicians. There's an emotional, quite sentimental quality to Slavic culture. It's very open, it loves art, it loves music, it loves literature. It's very warm, it's very up, it's very down. I would celebrate that.

One of my clearest, happiest memories is of myself at fourteen, sitting up in bed, being handed a large glass of warm buttermilk by my mother because I had a sore throat, and she saying how envious she was that I was reading 'The Catcher in the Rye' for the first time.

I was a very sickly kid and suffered from chronic pneumonia, which is why we moved to the warm southern climate. I think being ill contributed to my development as a writer. I learned early on to entertain myself by reading.

Shouldn't the cascades of extinction and rapid planetary warming register in our literature?

I was gravely warned by some of my female acquaintances that no woman could expect to be regarded as a lady after she had written a book.

I am a rereader. Quality is variety if you wait long enough. Barthes, Baudelaire, Benjamin, Celine, Duras, Faulkner, Fitzgerald, Melville: There is so much to revisit. 'Ingrid Caven,' by Jean-Jacques Schuhl, is always in rotation. I used to read 'Morvern Callar,' by Alan Warner, every year - I adored that book.

I think more influential than Emily Dickinson or Coleridge or Wordsworth on my imagination were Warner Brothers, Merrie Melodies, and Loony Tunes cartoons.

Warning stickers on books would be a nightmare.

I was warped early by Ray Bradbury and Edgar Allan Poe. I was very fond of Franz Kafka.

In college, I started to get soaked in the materials. Subsequently, I worked with R.W.B. Lewis, Robert Penn Warren, and Cleanth Brooks on a history of American literature - I did that for seven or eight years. In the course of that work, my interest in Faulkner deepened and has been sustained ever since.

Joseph Warren, like a lot of revolutionary leaders, was into Enlightenment literature.

When I think of Othello, I think of a poet-warrior. Let me say that again - a romantic warrior. And I think I have those qualities in common with him.

Historical fiction was not - and is not - meant to supplant literature from the period it describes. As a veteran of the Crimea, Tolstoy wrote 'War and Peace' to match his own internal sense of the truth of the Napoleonic wars, to dramatize what he felt literature from that period had failed to describe.

Of all the writers I have read, Vladimir Nabokov has made the biggest impression on me because he, despite living through the 1917 February Revolution, forced exile amidst the anti-Semitism in Nazi Germany, the two World Wars and quite a lot of controversy, was an author who never gave up.

I didn't know much about Texas when I moved there for graduate school. In my first or second semester, I took a class in life and literature of the Southwest, and that's where I first heard about these events along the border in 1915-1918, what Anglos called the Bandit Wars.

It was really in the Golden Age, between the two world wars, when the pure detective story - of which the locked room mystery is really the ultimate form - became popular.

I went to grad school with the grand plan of getting my Ph.D. and writing weighty, Tudor-Stuart-set historical fiction - from which I emerged with a law degree and a series of light-hearted historical romances about flower-named spies during the Napoleonic wars.