Quotes About Literature

I don't have the heart to tell my sons that the older one gets, the less funny literature becomes—and they would refuse to believe me if I tried to explain that some people don't think jokes even belong in proper books. I won't bother breaking the news that, if they remain readers, they will insist on depressing themselves for about a decade of their lives, in a concerted search of gravitas through literature.

from his random observations after reading David Copperfield by Charles Dickens) In the Old Curiosity Shop I discovered that in the character of Dick Swiveller, Dickens provided P.G. Wodehouse with pretty much the whole of his oeuvre. In David Copperfield, David's bosses Spenlow and Jorkins are what must be the earliest fictional representations of good cop/bad cop.

Needless to say, drink, drugs, food, and sex played no part in the festivities. But who needs any of that when you've got literature?

Influential books are often a disappointment, if they're properly influential, because influence cannot guarantee the quality of the imitators, and your appetite for the original has been partially sated by its poor copies.

I'm equally sure, however, that I won't walk into a lamp-post while reading {literature}, like I did with {a legal thriller} all those years ago; you don't walk into lamp-posts when you're reading literary novels, do you?

Reading the book now means that one can, if one wants, play Fantasy Literature--match writers off against each other and see who won over the long haul. Faulkner or Henry Green? I reckon the surprise champ was P.G. Wodehouse, as elegant and resourceful a prose stylist as anyone held up for our inspection here...he has turned out to be as enduring as anyone apart from Orwell. Jokes, you see. People do like jokes. (Hornby's thoughts after reading Enemies of Promise by Cyril Connolly)

There are many ways in which songs differ from books, but both songwriters and novelists are looking for material that will somehow mean something beyond itself, something that contains echoes and ironies and texture and complication. something both timely and timeless

Every time people force themselves to carry on with a book they're not enjoying, they reinforce the idea that reading is a duty.

You may think that you don't want to read about the problems of being brought up Mennonite, but the great thing about books is that you'll read anything a good writer wants you to read.

We are never allowed to forget that some books are badly written; we should remember that sometimes they're badly read, too.

When you're as ill-read as I am, routinely ignoring the literature of the entire non-English-speaking world seems like a minor infraction.

OK, you don't know me, so you'll have to take my word for it that I'm not stupid. I read the fuck out of every book I can get my hands on. I like Faulkner and Dickens and Vonnegut and Brendan Behan and Dylan Thomas.

Non ci dimentichiamo mai che alcuni libri sono scritti male; però dovremmo ricordarci che a volte sono anche letti male.

Ma mentre trovavo loro una casa nella sezione "saggistica d'arte e letteratura" (personalmente trovo che agli scopi domestici il sistema di archiviazione Trivial Pursuit funzioni meglio del Dewey), d'un tratto ho avuto una piccola epifania: tutti i libri che possediamo, letti e no, sono l'espressione più piena che abbiamo a disposizione della nostra personalità.

I libri, ammettiamolo, sono meglio di qualunque altra cosa. Se organizzassimo un campionato di fantaboxe culturale, schierando sul ring i libri contro il meglio che qualunque altra forma d'arte abbia da offrire, sulla distanza di quindici riprese…be', i libri vincerebbero praticamente sempre.

That's the trouble with good writers. Only the bad ones make you want to do the human thing and look away.

Books are, let's face it better then everything else

I would never attempt to dissuade anyone from reading a book. But please, if you're reading something that's killing you, put it down and read something else, just as you would reach for the remote if you weren't enjoying a TV program...All I know is that you can get very little from a book that is making you weep with the effort of reading it. You won't remember it, and you'll be less likely to choose a book over [insert popular contemporary TV program] next time you have a choice.

The singular power of literature lies not in its capacity for accurate representation of mass commonalities, but its ability to illuminate the individual life in a way that expands our understanding of some previously unseen or unarticulated aspect of existence.

No, I don't harbor any mystical ideas about writing, Your Honor, it's work like any other kind of craft; the power of literature, I've always thought, lies in how willful the act of making it is.

Why is it, he asked, that wherever a Chilean goes in the world, Neruda and his fucking seashells has already been there and set up a monopoly? He held my gaze waiting for me to counter him, and as he did I got the feeling that where he came from it was commonplace to talk as we were talking, an even to argue about poetry to the point of violence, and for a moment I felt brushed by loneliness.

Of the two thousand original copies printed of The History of Love, some were bought and read, many were bought and not read, some were given as gifts, some sat fading in bookstore windows serving as landing docks for flies, some were marked up with pencil, and a good many were shredded to pulp along with other unread or unwanted books, their sentences parsed and minced in the machine's spinning blades.

I don't know what to say about it, except that it moved me in a way one hopes to be moved each time he begins a book.

Writing is a conversation with reading; a dialogue with thinking.