Quotes About Literature

Hell hath no fury like a coolly received postmodernist.

Words and a book and a belief that the world is words...

Good literature makes your head throb heartlike

Of course, the fact that Dostoevsky can tell a juicy story isn't enough to make him great. If it were, Judith Krantz and John Grisham would be great fiction writers, and by any but the most commercial standards they're not even very good.

Cornell University Press announced plans for a festschrift.

There is something magical to me about literature and fiction and I think it can do things not only that pop culture cannot do but that are urgent now: one is that by creating a character in a work of fiction you can allow a reader to leap over the wall of self and to allow him to imagine himself not only somewhere else but someone else in a way that television and movies, in a way that no other form can do. I think people are essentially lonely and alone and frightened of being alone.

The library, and step on it!

For Metafiction, in its ascendant and most important phases, was really nothing more than a single-order expansion of its own great theoretical nemisis, Realism: if realism called it like it saw it, Metafiction simply called it as it saw itself seeing itself see.

Authors are monkeys who mean

My Cousin, My Gastroenterologist will blow away your expectation of what late-model literature has to be. Unified by obsessions too eerie not to be real, this gorgeous rearrangement of our century's mental furniture is testimony to a new talent of Burroughs/Coover/Acker scale.

There's a kind of Ah-ha! Somebody at least for a moment feels about something or sees something the way that I do. It doesn't happen all the time. It's these brief flashes or flames, but I get that sometimes. I feel unalone—intellectually, emotionally, spiritually. I feel human and unalone and that I'm in a deep, significant conversation with another consciousness in fiction and poetry in a way that I don't with other art.

people who feel that fiction should be easy to read, that it's a popular medium

It's when people begin to fancy that they actually know something about literature that they cease to be literarily interesting, or even of any use to those that are.

Something happens to a novel as it ages, but what? It doesn't ripen or deepen in the manner of cheese and wine, and it doesn't fall apart, at least not figuratively. Fiction has no half-life. We age alongside the novels we've read, and only one of us is actively deteriorating. Which is to say that a novel is perishable only by virtue of being stored in such a leaky cask: our heads.

I do things like get in a taxi and say, "The library, and step on it.

I read,' I say. 'I study and read. I bet I've read everything you've read. Don't think I haven't. I consume libraries. I wear out spines and ROM-drives. I do things like get in a taxi and say, "The library, and step on it.

David Foster Wallace understood the paradox of attempting to write fiction that spoke to posterity and a contemporary audience simultaneously

Not even the masters of the high/low rhetorical register go higher more panoramically or lower more exuberantly than Wallace—not Joyce, not Bellow, not Amis.

He never leaves home, which home is one room, the converted Children's Reading Room of what used to be the Waltham Public Library, which is the whole third floor.

Creative Writing Programs, while claiming in all good faith to train professional writers, in reality train more teachers of Creative Writing. The only thing a Master of Fine Arts degree actually qualifies one to do is teach… Fine Arts. - from Fictional Futures and the Conspicuously Young

The thing that I think a lot of us forget is that part of the fault is the books . . . you get this sort of cycle that as they become less important commercially they begin protecting their egos by talking more and more to each other and establishing themselves as this kind of tight cloistered world that doesn't really have anything to do with regular readers.

Postmodern irony and cynicism has become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving.

It may be whispered to those uninitiated people who are anxious to know the habits and make the acquaintance of men of letters, that there are no race of people who talk about books, or, perhaps, who read books, so little as literary men.

His Scotch bear-leader, Mr Boswell, was a butt of the first quality.