Quotes About Video

I feel like every time I do a video I say I want to make it like a movie, I want to make it very entertaining. So I start to just scan in my brain for what I haven't done before so I can do something unique and ridiculous, and what that song means.

Usually a video's fun, but after a while, after a couple hours it's like work because you've got to keep doing the scenes over and over and over again.

The more devices that can show video that generates revenue for content owners, the merrier.

The video was of paramount importance, because 'Take on Me' was not an instant hit.

You get some directors, and I can never understand it - there's a thing they call the 'video village' where all the monitors are, and you've probably seen it on set visits - I hate that! I never, ever like sitting in video village. I get either my own monitor or a hand held monitor, and I stand right by the camera.

But audio is a component of video, so there's always been that anyway, and although we've never expressed a visual side apart from the Grateful Dead movie, I don't find it that remote, you know what I mean? It's a departure of sorts, but it's like a first cousin.

I have a music-video background, and I feel like the responsibility of a music-video director is to do something that hasn't been done before in a really cool visual way. So much innovation has come in filmmaking through music videos.

Video is a funny thing. It's one thing to be an artist, singer-songwriter, and use words and create pictures in people's minds. And then be asked to do video for it, to actually give a certain visual for your song.

Instagram Stories. I am really excited about it. I think Instagram is such a great platform: It's so creative; it's so visual. It's an incredible way to experience the world through images, whether photo or video. I also think that our community is incredible, in the sense that it's such a passionate community connecting around shared interests.

When I was thinking of video ideas for this song, I wanted it to reflect the energy of the music and express the big eye roll that 'Sit Here and Cry' is. I had a very specific visual vision for it, and when I saw Sam Siske's reel, I knew he was going to get it.

I don't like the lip-syncing-type videos. I like for people to listen to the words and see the visual.

'Ex-Boyfriend' is a really funny story that is that much funnier when you have visuals attached to it as opposed to just hearing it. I couldn't let a song like that go un-videoed.

When you make a movie, you know you're making a long-form thing, so the visuals are different than for a video where it has to be more obvious or in your face, I think, a little bit.

I often wonder when I make a film - I'm thinking of making a film of the Buddha - and I often wonder: If Buddha had all the elements that are given to a director - if he had music, if he had visuals, if he had a video camera - would we get Buddhism better?

What really surprised me was that we had released the song 'Kondoram'... without any video and it still garnered so many views. The song had only lyrics and no visuals.

Susie Lynn, the producer of those segments, goes in and lays all the voices over the video.

The next time a news outlet complains about the state of our political rhetoric or the uninformed U.S. voter, we should promptly point them to the video of Ashley Parker raucous in a Polish cemetery or Philip Rucker's diatribes on party invitations.

I think that it's awkward watching a video with your mom, particularly when you're making out with a girl or a sexy scene. I would rather be away from that!

I put a video out," Alex said, "a message to Trump. And then two days later he lays out the case. It's like sending up the Bat Signal." Was this true? It seemed unlikely, but when I got home I discovered that journalists had indeed spotted several occasions where Alex had said something on his show and Trump had said the same thing — right down to the peculiar phrasing — soon after.

When I uploaded my very first video, I was just looking for something to make me happy. I was confused about what I was doing in my life and had earned a degree that I didn't really enjoy. With that video, I was finally doing something I was passionate about. So it was my way of self-medicating.

The video ref should focus on the key things, situations ahead of goals, penalties and red cards.

The feeling is that video assistant referees and technology are here to help us, especially for justice in the penalty area.

Making music is an emotional thing. And when you're on a video shoot with 50 people there, you have to somehow, in a non-emotional way, say what you want and not feel guilty for it. And that takes growing up and that takes... not caring how people perceive you as much. And it just takes experience, I think.

It's strange how 'Fawlty' has become a perennial. I keep meeting new generations of schoolboys who know the lines better than I did when I said them. The program has sensational sales in video. I'm mercifully on a small percentage.