Quotes About Casting

Professionally speaking, the proudest moment was when I booked the 'Human Stain.' I knew it had Nicole Kidman, Anthony Hopkins, Ed Harris and Gary Sinise on board, and the director Robert Benton was an academy award winner for 'Kramer vs Kramer.'

A friend told me about the casting notice for 'Queer Eye.' I was in Chicago and I had a contract with 'Esquire' magazine, so had been coming to New York City regularly and thought I'd catch a cheap flight, crash on a friend's sofa and do this hilarious audition that I had no chance of winning.

Getting a role in 'Harry Potter' was like winning the lottery. But no one deserves an acting job.

We all were there for the readings, the screen tests, and we knew. We knew Dustin was the guy right away.

There are so many people who come to me to be an actor, but I select only those people who I feel can fit my script. If they do, I immediately say yes. I don't do screen tests. I talk to them and see how their mind functions. I read their mind and cast them.

I never went to auditions or screen tests. I just got cast.

My big break was becoming the spokesperson for Texas Instruments. Casting directors really started giving me a chance to read for projects.

When 'The Master' came around, they said they wanted to try and find a part for me, and I got a text from the casting director saying that.

I had the opportunity to go cast for a Hollywood film that was filming in Thailand called 'Mortal Kombat 2.' Out of 100 people, I was cast to be the stunt double for Robin Shou.

I did so many interviews and auditions for films, and it was just zilch. Nothing I did impressed anybody! I could just feel it. It was always, 'Okay, thank you, Mr. Lloyd.' Then, out of the blue, 'Cuckoo's Nest' came to cast. A casting director who sent me up for different things over the years sent me up for that, and it just clicked.

I did face the casting couch when I had gone to sign a film; but I don't want to name the person. Most people in the film industry are like that. But thankfully, the television industry has been spared of it.

There's acting, and then there's auditioning; mastering auditioning is sort of the first thing an actor really needs to nail down when he or she wants to get a part.

Where having been an actor was extremely helpful to me was in casting. That's where I think a director who has acted can really shine, and casting is the most important thing you do.

I think that casting is probably the most important thing in television production.

I tried out for another show while I was in college so I could pay off my student loans, and it sort of led to The Real World. The same people that were casting that show were casting The Real World, so they asked me to do it.

The casting directors that were aware of 'The Real World' looked at me as a joke. It was so hard to get away from that.

I did a play I think my first six months on the show, called Bullpen. Then I got involved with Theater Forty and did this play called Plastic which is about two male models coming to a casting call.

I think that the wonderful advantage we have in the film of being able to cast a girl as young as Emmy and which we couldn't do in the theatre of course because no girl of 16 or 17 could sing 8 shows a week, couldn't sing two.

I've always been short and stocky. So when I got into repertory theatre after graduation, I found myself doing character roles: because of my deep voice, shape and height, I was playing 40-year-old, 50-year-old roles at the age of 23.

Theatre has always been better disposed to colourblind casting than telly or film. Given that most television is contemporary, and it reaches 56 million people, I am disappointed there still isn't more representation.

Putting TV stars in plays just to get people in is wrong. You have to have the right people in the right parts. Stunt casting and being gimmicky does the theatre a great disservice. You have to lure people by getting them excited about a theatrical experience.

When I got the first e-mail suggesting we cast Zooey Deschanel in 'New Girl', I thought, 'That's exactly right.' In the pilot of 'Modern Family', when Cam is holding up the baby with the 'Lion King' theme, it was very clear we had something special.

If I ever have to cast an acting role, I want the wrong person for the part. I can never visualize the right person in a part. The right person for the right part would be too much. Besides, no person is every completely right for any part, because part in a role is never real, so if you can't get someone who's perfectly right, it's more satisfying to get someone who's perfectly wrong. Then you know you've really got something.

she, although in a self-solicitous way, was a beautiful piece of tall work, on colossal but careful legs, hips forward; her mouth was big and would have been perfect if there hadn't been something self-tasting in it, eyes with complicated lids but magnificent in their slow heaviness, an erotic development. So that she had to cast