Quotes About Cartoons

I remember as a kid being really scared of the Smurfs.

Being a parent is not an easy job, which is why we try to create cartoons parents know are safe for their kids.

Generally, we try not to write down to kids. We really just try to write a visual, character-driven cartoon that has a lot of slapstick and really appeals to us. I guess we are just lucky that other adults find that amusing, too.

I was an only child and was obviously really bored, so I would entertain my parents by imitating cartoon voices like Scooby Doo, Boo Boo and others.

I've watched cartoons my entire life, and I know my mom has always wanted me to turn off the TV if she hears annoying voices too often from the television - if she hears sort of cartoon 'acting.'

As a kid, I just loved cartoons. And as the credits went by, I'd study those names and then try to figure how I could get hired to do what Mel Blanc and Daws Butler did. Create all of these great voices for animated characters.

Just doing voices for cartoons is just a dream come true.

To be honest, there is a special gift for doing voice-overs, and the people who did the voices in the 'SpongeBob' cast are excellent at cartoon voice-overs, and they bring something extra to the reads.

Honestly, I grew up a huge Peanuts fan.

I think 'The Simpsons' is in the right time slot because it's not a show for kids. It's too vulgar. And 'Ren and Stimpy' is worse. We would never do anything like that.

Sour Patch, Swedish Fish. I love candy, man. I can't go without candy. And when I'm recording, I always have a TV on with cartoons - on mute, though. When I'm recording, I like to look at the TV now and then and see some crazy, wacky stuff. When you're thinking creative, it just keeps you creative. Everybody got their way of making music.

I keep waiting, like in the cartoons, for an anvil to drop on my head.

As for the reasons behind my retirement, they mostly center around simple fatigue and a fear that if I continue for many more years my work will begin to suffer, or at the very least ease into the graveyard of mediocre cartoons.

More sports for everyone, group spirit, fun and you don't have to think, eh? Organize and organize and superorganize super-super sports. More cartoons in books. More pictures. The mind drinks less and less.

More sports for everyone, group spirit, fun, and you don't have to think, eh? Organize and organize and super organize super-super sports. More cartoons in books. More pictures. The mind drinks less and less. Impatience. Highways full of crowds going somewhere, somewhere, somewhere, nowhere.

More cartoons in books. More pictures. The mind drinks less and less. Impatience. Highways full of crowds going somewhere, somewhere, somewhere, nowhere. The gasoline refugee.

More sports for everyone, group spirit, fun, and you don't have to think, eh? Organize and organize and super organize super-super sports. More cartoons in books. More pictures. The mind drinks less and less. Impatience. Highways full of crowds going somewhere, somewhere, somewhere, nowhere. The gasoline refugee. Towns turn into motels, people in nomadic surges from place to place, following the moon tides, living tonight in the room where you slept this noon and I the night before.

Cartoon Network dot com, the shows are stupid, but at least they're entertaining and keep her calm.

My cartoons haven't been about the politics of the day or about the personalities; I'm more interested in campaigning about the issues.

Let's make some funny pictures.

When I went to California Institute of the Arts, I was classmates with a lot of like-minded weirdoes, some of who have gone on to create other cartoon shows-J.G. Quintel, 'Regular Show;' Pen Ward, 'Adventure Time.' We were all friends in school and pushed each other and made each other laugh.

Mel Blanc is a hero because of what he could do with his voice for all the Looney Tunes, the Warner Brothers cartoons, to be the voice of Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig. To me, he's a great actor.

I think more influential than Emily Dickinson or Coleridge or Wordsworth on my imagination were Warner Brothers, Merrie Melodies, and Loony Tunes cartoons.

Khalil Bendib is an equal-opportunity skewer. The more a subject or victim is ignored by the mass media, the more he infuriates, informs, and intensifies the reader's attention. Cartoons need to jolt. Bendib obliges page after page.