Quotes About Visual

Design in black and white. Add color for emphasis, when your design is complete.

Acting isn't for me. I don't like being told what to do. I'm more interested in set design, more visually driven.

When typography is on point, words become images.

I believe education in music, theater, dance, and the visual arts... is part of a well-rounded education and can provide so much joy, now and in the future.

People go to see a film because it's a great story and it's visually exciting to watch.

The layers you get in graffiti, the ornateness, you can hear it in my music. I paint with my music. It's a form of synaesthesia.

Light is architectural. It is sculptural.

Film in many ways is very literal.

People do look different with their eyes closed, their features seem so much more sculptured.

When I say, "one obvious button," I don't mean "only one button," but rather one that stands out. Make the button a different color, larger, a bolder text, whatever you need to do. Then repeat that same button over and over so people see it as they scroll down the page.

Be Specific. Be Visual. The biggest mistake people make when it comes to writing their value proposition is they aren't specific enough.

Choose Your Images Carefully

Make sure that the very different colors go next to each other so it looks deliberate. You don't want to look as if you've just run out of colour and gone for the next nearest thing.

I am a great lover of art, in many forms: paintings, objets, textiles. I don't have the talent for painting, but I have a very good sense of colour, a love of visual beauty.

Time and again we have come across phenomena eminently worthy of being investigated - only to have them disappear before we could make eve a visual record... Without being unduly pessimistic, I would say that, for every success we have had in filming or recording a matter of scientific interest, we have had ten failures. - p 46 Life and death in a coral sea

Many artists of all kinds wanted to make their artistic work useful to people in everyday life — and so the new, geometrical visual style was turned into plates, clothing, furniture, and, most famous of all, posters that revolutionized the world of art and brought the new art to the people. Russia suddenly was on the forefront of the future.

We live in an image society. Speeches are not what anybody cares about what they care about is the picture.

The eye records. The eye takes vivid, unforgettable pictures.

The structure looked as though a pagoda had been mated with Mount Vernon, then boarded up and used as a proving ground for neon tubes.

the fact that the visual experience before me was exactly the same as it has been for sixteen years.

We process more information in the lower half of our visual field, because there is normally more to see on the ground than in the sky. We group objects into units of three or four in order to perceive numbers rather than count them, a process known as subitising, that comes in handy when assessing the number of opponents in battle.

Images are ... a kind of emotional shorthand.

No one questions the fact that verbal language has to be learned, but the commonplaceness of visual experience betrays art; people tend to assume that, because they can see, they can see art.

The world is complex, dynamic, multidimensiona l; the paper is static, flat. How are we to represent the rich visual world of experience and measurement on mere flatland?