Quotes About Visual

My fingers are crossed for 'Dekh Lena.' I believe it has shaped very beautifully and also visually the song looks fabulous.

To make films, it always begins with two words: what and how. First of all, you have to find a story, or what are you going to tell? And you have to find a way to tell it visually.

I've always been interested in the camera and the effects of it - that's what drew me to film in the first place.

I have my misgivings about 3-D. I don't like the lack of blacks and whites, how it dulls the image, how the color gets corrupted. I don't necessarily like the experience of having heavy glasses in front of me.

Have you seen the roses? There's a whole lot of colours.

A piece of wall can be visually disintegrated from the whole into a separate triangle by plunging a diagonal of light from edge to edge on the wall; that is, side to floor, for instance.

Music can be just one-sided if you hear it, but if you see it with a visual and an image, it opens up a whole new world. I feel like it's all connected.

The thing that ultimately pushed me more towards 'Aquaman' is I love the possibility of creating a whole new world. I've always wanted to do a world creation story and visually create this amazing, incredible, magical kingdom.

Dialogue should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms.

A visual always brings a first impression. But if there's going to be a first impression, I might as well use it to control the story. So why not do something like throw a mask on?

If I have to point to something specific with the way I move my camera, I love to do it with a wide lens. I like to show you as much of the space as I can, even if I'm following a character.

Fortnite, because of its visual style, it's widely acceptable to just about everyone. It's open up to a much wider audience than a realistic, military-style simulation.

3D prefers you to use wider lenses because when things are out of focus, and yet it's in 3D, it bothers you.

I get more distracted by hair or a really bad wig than I do costumes any day of the week.

I'm not wild about hand-held shots.

There's always the temptation, as a cinematographer, to make the shot look as perfect as possible.

A lot of times, I'll resist the temptation to visually define a movie until, one, I really understand just what the movie's about, and two, until I start talking to my cinematographer.

The nature of photography has always resisted that temptation of interpretation. I look, and what I see looks back at me.

I do tend to fall to the dark side of things visually sometimes.

You tend to compose things more in the middle of frame in 3-D than you would in a conventional frame. You can really see composition in 2-D but in 3-D your composition is much more complex. Everything has to be artificially enhanced. But you do gain something else with 3-D: you have a sense of space and heightened reality.

You know, people always think if you start out as a film editor, you shoot less footage. Actually, just the opposite is true. I tend to grab as much coverage as I can because as a former editor I know how important it is to have those few frames.

I was drawn to painting and filmmaking because I was interested in communicating visually, which spills over into my tendencies as a writer.

A movie is so visually powerful, so overwhelming, that it tends to crowd out how you might have imagined things.

I think it tends to be overused and can be a little bit gimmicky. A lot of people are using 3-D now because they feel have they have to... that will come and go and the pictures that deserve to be in 3-D will continue to be. When it's done bad, it can make you carsick.