Quotes About Visual

I'm a visual person, so it always starts with a picture, and then I get obsessed with the idea, sometimes too much. I have these blank books in which I take notes, and I add postcards and other physical items.

I find screenplays easy to write, my novels being very visual. You see what people look like. The physical action is described.

The two sensibilities, the visual and the verbal, have always been linked for me - in fact, while reading a particularly evocative passage, I will imagine what the photograph I'd take of that scene would look like, even with burning and dodging notes. Maybe everyone does this.

There is research proving that deaf people have increased visual abilities.

I have a music-video background, and I feel like the responsibility of a music-video director is to do something that hasn't been done before in a really cool visual way. So much innovation has come in filmmaking through music videos.

I was a screenwriting and studio art major in college, so even though I don't have any training as a floral designer, I have a very particular visual aesthetic.

The way we tell our stories on stage is that we use spoken word to convey action, and in movies, we use visual images to convey action.

It's almost as if creativity is dead. The visual power of advertising was everywhere - now it's basically gone.

My memory is basically visual: that's what I remember, rooms and landscapes. What I do not remember are what the people in these room were telling me. I never see letters or sentences when I write or read, but only the images they produce.

With 'Anna Karenina,' I just think it's a stunning visual tour de force for a director who is at the top of his game.

I love Rauschenberg. I love that he created a turning point in visual history, that he redefined the idea of beauty, that he combined painting, sculpture, photography, and everyday life with such gall, and that he was interested in, as he put it, 'the ability to conceive failure as progress.'

I think almost always that what gets me going with a story is the atmosphere, the visual imagery, and then I people it with characters, not the other way around.

The visual elements of the videos, the makeup and the costumes... these things have nothing to do with justice and truth, but nonetheless, it really changes the experience of the video.

Communication is the key, and it's one thing I had to learn-to talk to the actors. I was so involved with the visual and technical aspects that I would forget about the actors.

I'm a visual thinker, thrill seeker, and I'm easily distracted. I see everything I'm writing, and I think it naturally affects the pace of things.

When people think of a Hitchcock movie, it isn't just the visual, it's the sound.

Our live shows are a visual as well as a musical experience.

When I step back and look at what's important to AMD, it's about graphics leadership - visual computing leadership - as well as a strong computing experience. We have the capability to integrate those two together.

I'm personally more struck by visual things more than musical.

I'm very attracted to schematic structures. My brother is a chemical engineer, he has a very mathematical mind, and he's also a visual artist. I think we have a lot in common. And my first film had a very tight structure, narratively.

For me the visual is just as important as the music.

I have a good visual memory. I'm good with faces, but names - I get in trouble a lot; I can't seem to remember people. People think I'm rude. As a side comment, you know, I'm not being rude: I just kind of blank out.

I think it's an important part of the visual effects supervisor's job to get really deeply embedded in production and keep us all focused on trying to generate the best result. I'm not proprietary about, 'I would rather do this effect than let physical effects do it.' No, let's do the smartest thing for the movie.

I have a good memory for early life. My visual memory is good about childhood and adolescence, and less good in the last 10 years. I could probably tell you less what happened in the last 10 years. I remember what houses looked like, sometimes they just pop into my head.