Quotes About Quentin Tarantino

Many people have vied to become the third Weinstein brother, and I'm not sure why, but that distinction only goes to one person - Quentin Tarantino.

My dream role would be to play a femme fatale in a Quentin Tarantino movie.

I think the best black screenwriter is Quentin Tarantino.

Quentin Tarantino is controlled insanity, I would say. He's very loud and fun. I don't think there's anybody on the planet like him that I have ever met.

In the early '90s, when those little art films started coming out, we were introduced to Quentin Tarantino and guys like that, and independent cinema was something that everyone wanted to be a part of.

The thing is, making movies as an actress, you learn so many things. Like when you're making a movie with Quentin Tarantino you're just at the best cinema school ever.

Quentin Tarantino is my 15-year-old son's favorite director, and by that I mean no condescension to either Tarantino or my 15-year-old son.

Quentin Tarantino doesn't beat Hal Ashby, and he's one of my favorite directors. Quentin is incredible.

I remember watching Quentin Tarantino accept an Academy Award for screenwriting for 'Pulp Fiction.' If I'd known then that 15 years later one of his movies would again be nominated for an Oscar and I'd be in it - that would be pretty crazy.

I like the way Quentin Tarantino creates a scene using a series of close-ups or showing very cool images of a person or people walking on some ordinary street in slow motion. I wish I could achieve that kind of slow-motion effect in manga, but it's rather difficult to draw; the only things we can play with are tones of black and white.

The thing that interested me, there are so many filmmakers I admire - like David Lynch and Quentin Tarantino - they have these themes where there's not much going on, but they were suspenseful.

I've noticed, as a comedy fan, that I really like Paul Thomas Anderson or Quentin Tarantino because when they're funny, they're actually funny. It's not like when other dramatic writers have comedy, and I'm just like, 'Well, that's not funny. Why are you even trying to make a joke here?'

'Django' was definitely the beginning of my political side, and I think 'Hateful Eight' is the... logical extension and conclusion of that. I mean, when I say conclusion, I'm not saying I'll never be political again, but, I mean, I think it's like, in a weird way, 'Django' was the question, and 'Hateful Eight' is the answer.

Eighty-five per cent of the time, people want to talk about 'True Romance.' That's the film I've made that really seems to have stuck with people.

I want to have the fun of doing anime and I love anime, but I can't do storyboards because I can't really draw and that's what they live and die on.

I definitely have some colleagues that I respect, and we get together from time to time. But I actually have just like genuine friends.

A script arrived, and on the front cover - scrawled really big, as if it were a book report - is 'Django Unchained, written by Quentin Tarantino.' And I thought, 'Well, no art department came up with this; this is Quentin's writing.'

My plan is to have a theatre in some small town or something and I'll be manager. Ill be the crazy old movie guy.

I love Elmore Leonard. To me, True Romance is basically like an Elmore Leonard movie.

I am going to be an actress. I am going to meet Quentin Tarantino. He will fall in love with me. We will get married. I will be the lead in every single one of his films. He will be like Uma who?

My movies are painfully personal, but I'm never trying to let you know how personal they are. It's my job to make it be personal, and also to disguise that so only I or the people who know me know how personal it is. 'Kill Bill' is a very personal movie.

I enjoy the TV series 'Dexter,' where there's a reason for every kill. Quentin Tarantino is a favourite, and a 'Kill Bill' action-packed movie would be up my street. I'd love to be India's first scream queen!

I've featured in some soundtracks in the past, and I would love to do more. I love great soundtracks to movies. Quentin Tarantino always picks amazing soundtracks, so I would like to do something for him or write a song for him.

With 'Django Unchained,' when you're dealing with slavery, it's like a gymnastics routine with the highest amount of difficulty. Quentin Tarantino is not going to do a movie that's just going to lay there and be safe. There's going to be twists and flips.