Quotes About Emotions

Even after he was gone, I still loved my father. I looked Norwegian, like him, with a long face, strong jaw, thin mouth, and flashing eyes. And, like him, I was verbal, easygoing, and low-key on the surface, and, deep down, proud, socially paranoid, full of self-loathing, and prone to rage at injustice.

Verbal slip-ups often occur because we say things without knowledge of the subtle implications they carry. Understanding these implications requires social awareness - the ability to pick up on the emotions and experiences of other people.

I just want my films to work. The hit or flop verdict really affects me. I seriously analyse what went wrong if a film turns out to be a dud!

When you play in a band, you're in phase with people. When you're a DJ, you're totally off-phase. Your work time is 3 A.M. - 5 A.M. and I don't think you can connect. You're miserable the whole time. Whenever I see a DJ in the airport, they are always on the verge of crying.

One of the many pleasures of 'Versailles' is the way in which it seems to emanate not only from the vexed inner being of Marie Antoinette but from the interstices between what we imagine of her and what she was.

I would not say it was tough doing an intimate scene, however it was challenging to play Sana in 'Spotlight' as she is a versatile character with different shades.

As far as I am concerned, poetry is a statement concerning the human condition, composed in verse.

You can't enjoy light verse with a heavy heart.

The blues is nothing but a story... The verses which are sung in the blues is a true story, what people are doing... what they all went through. It's not just a song, see?

A lot of people seem to feel that joy is only the most intense version of pleasure, arrived at by the same road - you simply have to go a little further down the track. That has not been my experience.

Some characters think more like me than others; some think more like my dad or someone else. It certainly is made up of my experiences, things I've heard, things I think are funny, things I think are sad. There's sort of a strange, blurry version of yourself in there.

In any relationship that comes to an end, there's never just a baseline reason why. You say, 'Oh, I broke up with my girlfriend.' Someone says, 'Why?' You say, 'Well, you got three hours? And then maybe after I tell you my version, you've got to talk to her.'

So you realized that there were always women in tears, or a red-headed man, or something else to spoil your effects? Yes, naturally.

Concha ölümümü öÄŸrenince aÄŸlayacakt?. Aylarca içinden yaÅŸamak isteÄŸi gelmeyecekti. Ama ölecek olan bendim. ...

Meus estranhos sentimentos da outra semana me parecem hoje bastante ridículos; já não me identifico com eles.

I see the insipid flesh blossoming and palpitating with abandon. ? Jean-Paul Sartre, Nausea . (New Directions Publishing Corporation January 1, 1975) Originally published 1938.

It gnaws at her, I'm sure of it, but slowly, patiently: she takes the upper hand, she is able neither to console herself nor abandon herself to her suffering. She thinks about it a little bit, a very little bit, now and again she passes it on. Especially when she is with people, because they console her and also because it comforts her a little to talk about it with poise, with an air of giving advice. When she is alone in the rooms I hear her humming to keep herself from thinking.

Ces émotions inoffensives je ne les ai jamais refusées; au contraire. Pour les ressentir il suffit d'être un tout petit peu seul, juste assez pour se débarrasser au bon moment de la vraisemblance.

Prima di prendere questa decisione mi sentivo in una solitudine così terribile che pensavo al suicidio. Ciò che mi ha trattenuto è stata l'idea che nessuno, assolutamente nessuno si sarebbe commosso alla mia morte, che in morte sarei stato ancora più solo che in vita.

This joy was used up a long time ago. Will it be reborn today?

Widzi pan, ?e ich pan nie kocha, tych dwojga. Mo?e nie potrafi?by ich pan nawet rozpozna? na ulicy. Stanowi? dla pana tylko symbole. Nie nad nimi si? pan teraz rozczula: rozczula si? pan nad M?odo?ci? Cz?owieka, nad Mi?o?ci? M??czyzny i Kobiety, mad G?osem ludzkim. -I co z tego, czy to nie istnieje? -Oczywi?cie,?e nie, to nie istnieje. Ani M?odo??, ani Wiek dojrza?y, ani Staro??, ani ?mier?...

Mizantropul este om: e absolut necesar ca umanistul sa fie intr-o oarecare masura mizantrop.Dar e un mizantrop stiintific, care a stiut sa-si dozeze ura, care incepe prin a-i uri pe oameni pentru a-i putea iubi mai bine, apoi.

Chaque parole a des retentissements. Chaque silence aussi.

First, we must be able to control our own temper. This is easier when we do not see the child's behavior as a threat to our own competence, but rather as a function of the child's current inability to cope with frustration.