Quotes About Emotions

All of us have ways in which we mask and cover our pain.

The passions are like fire, useful in a thousand ways and dangerous only in one, through their excess.

The joy of my heart is to 'study men, their manners, and their ways,' and for this darling object I cheerfully sacrifice every other consideration.

Music keeps the heart porous in many ways.

I usually find several ways to express myself: different moods, different days, different voices, different things, 'I'm lighthearted today, I'm gonna do this.'

I believe, in the stock market - that's one of my fields - that most people are irrational. And to be irrational, you can be irrational in so many different ways that, practically, the result is indeterminate.

Romcoms are hard in a lot of ways: they're built to be buoyant. It's easy to demean them.

We play many emotions in our careers, emotions that in real life we would perform just once. For example, my character has died in about 10 films, so you have to keep searching for different ways to do it!

Love is tested in so many ways. How do I articulate this? Two people are together. There are stakes, strife, struggles, all these things that make us fall for someone, love someone even more, leave someone.

Certainly, different people show their emotions in different ways. Unfortunately for me, mine has never been very gracious and I don't know that it ever will be.

The mind gets distracted in all sorts of ways. The heart is its own exclusive concern and diversion.

I was reading some books by Michel Houellebecq, and the first thing that comes to mind is that they're really funny, all the ways they describe the most depressing things.

My therapist taught me why I behave in certain ways and not to feel so pressured.

I just think I've always been sensitive and had difficulty containing my feelings, and I've always searched for outlets for that, because otherwise those feelings come out in chaotic ways that aren't always great.

We all need ways of processing things. I think I was called to music because it was this thing that was always there for me that I could pour my heart into safely.

I want people to really recognize that this is what I am naturally good at: I'm really good at making music and describing your feelings vicariously through my experiences, through my past and my future. I want people to relate to me in multiple ways and be versatile in my music.

Love can't be just one-sided. It's always two ways.

The earliest music I remember hearing is Al Green's 'Let's Stay Together.' That was when my momma and my daddy were together, before they went their separate ways.

This might sound masochistic or narcissistic, I don't know, but when I'm not playing the game, the validations I feel about life are always through the hardships. I relate more to sadness, in a lot of ways, when I'm not playing.

At Juilliard, suddenly I was reading these great plays that could articulate the ways I was feeling in the Marine Corps, and that felt very therapeutic, by putting words to feelings, in a big way.

I never really had a teenage experience. I went from childhood to maturity, and in some ways, it short-circuited me emotionally.

The root of the problem I have is anxiety, and it's all derived from something - I'm just going to say it, some kind of sadness. It manifests in so many different ways and it affects people differently.

We want to live at any price; so we cannot burden ourselves with feelings which, though they might be ornamental enough in peace-time, would be out of place here.

The only thing that we cannot control is our supporters.