Quotes About Emotions

I can switch between different moods easily.

I have an inability after matches are over to sort of switch off and relax completely.

'Nice Guys' has darkness in it and parts that are kind of odd, but there are also parts where it's heartfelt and soulful. You can switch back and forth.

The power I would like is to be able to turn off negative emotions and bad moods with the flick of a switch.

As an actor, it's your job to switch on and off from the character.

Once you finish a film you sort of go into depression mode because the energy shift is so strong. That's what happens to me anyway; I can't cope with the switch.

Party switching has all the emotional edges and baggage of divorce.

I was never ever attracted to any of my rugby mates; I was really good at switching off my emotions and I wouldn't have even considered crossing that line.

I feel like Mills and Boon saved my life. It was a way of not living. I read a lot of other books as well, but they were definitely the best for just switching my brain off, not having to deal with reality.

I still remember sitting in my parent's basement playing 'Final Fantasy VII' in middle school. When Sephiroth came down like LeBron James on Aerith with that sword, I couldn't talk for a full 20 minutes.

I was extremely close with my parents. Breaking away from that is a double-edged sword: It's something you need to do, but it's hard to cut the apron strings.

The moment my doctor told me, I went silent. My mum and dad were with me, then we all went to pieces. I was saying, No, I've got my flight to Sydney in two hours. I'm getting on a plane.

What makes a poem is the discipline inherent in making a poem: trying to fit feelings in the requisite number of syllables and lines, disciplining one's feelings.

I drive to clear my mind, like many people do. It's like, once you get in the car, whatever song you put on, it's so symbiotic. Your mood could change in a second.

People's most prized possessions carry deeply symbolic and emotional significance.

There is a powerful need for symbolism, and that means the architecture must have something that appeals to the human heart. There is a powerful need for symbolism, and that means the architecture must have something that appeals to the human heart.

Our facts aren't fact; they are opinions dressed up like facts. Our opinions aren't opinions; they are emotions that feel like opinions. Our information isn't information; it's just hastily assembled symbols.

Honestly, I think if you don't have happiness and you don't have love in your life you can have all the money and all the symbols in the world and it won't make any difference.

People aren't inherently sympathetic.

Baby girls, as young as 12 months old, respond more empathically to the distress of other people, showing greater concern through more sad looks, sympathetic vocalisations and comforting. This echoes what you find in adulthood: more women report frequently sharing the emotional distress of their friends.

You don't want to make performances; you want to make people. When a project knows, 'Okay, my bad guys need to be a little sympathetic, and my good guys need to have a bit of a mean streak,' you're off to a good start.

I feel people think I'm almost like a robot - like an android... I just don't really get portrayed as someone who has feelings or who is sympathetic... like a self-absorbed ice queen.

I really do try not to emote. I don't like seeing it on documentaries - it seems a bit unprofessional. I also need to be human being and be a kind of sympathetic presence for the contributors I'm with, so there' a line you have to walk.

There is no grief like the grief that does not speak.