Quotes About Emotions

I could really make a song of hurt, because I've been hurt by a lot of men. I'm talking about, like, how sad I be when a dude curves me. And I never talk about that because I refuse to let people know that I get sad because when a man don't answer my calls.

Talking about my deepest and darkest secrets to the world makes me feel better. It's cathartic.

If you don't feel comfortable talking about really personal things in your music, you shouldn't do it. There's plenty of other things to write about.

The blessing of being able to write music and let music speak for itself is you let the melodies and let the lyrics and the groove talk to people instead of me talking to people.

I'm at my best when I'm talking about relationships, talking about women, talking about situations and stories.

My job gives me the permission to ask really great questions, like, 'Are you sure you're not pissed at him?' or, 'Is the eating really about food, or does it have something to do with your mother?' or, 'How is your sex life? I mean, I know we're here talking about your job, but I can tell this has to do with your sex life.'

Talking Heads, for me and Chris, was a very personal thing that we shared with a lot of people. In a way, I'm glad it's over, because it allows us to move beyond the restrictions that followed.

My mother, who is nearly ninety now, still talks continually about my father. All my life, I've been aware of her grief about his absence and her strong pride in his conduct.

Myth is a powerful medium because it talks to the emotions and not the head. It moves us into an area of mystery.

I always tell people, the first time I heard 'She Talks To Angels,' those lyrics did something to me.

The way Ben Gibbard paints a picture, you feel like, 'I was there that day with him.' You really feel the way he paints pictures and speaks and talks. It's almost like talk-singing. Paul Simon does that very well as well. He's a huge influence of mine.

I think, with music, I'm a lyricist who talks about real life things.

People try to keep their past, like kind of holding on to their past. Every Springsteen song talks about that.

Billy Graham talks about how he doesn't judge people. I don't either. Some people I am just pissed at.

Everybody always talks about it, about how you don't know love until you meet your baby, and you really feel that. There are no words. It was a really wonderful surprise. And there is no way to prepare yourself for the sleep deprivation and what comes with it.

I think that, as a person, Beethoven talks to everyone in different ways.

Just like people date and break up, friends break up, too. 'Best friends forever' rarely ever happens; it's just that no one talks about it.

I wrote 'A Boy and His Soul' that talks about how my mother had lupus and my dad dying of a heart condition.

There's a 'Seinfeld' episode, where he talks about why he can't get angry, because his voice rises to a comedic pitch and no one takes him seriously - and that's true of me, too.

Our short film 'Kahaa Toh Tha' talks about how people can get irritated and frustrated with each other which leads to quarrels or fights.

I am a person who never talks about my problems with anyone. I don't discuss them with my dad because he gets hyper. So I choose not to.

I'd like someone tall, dark and nice. Independent and confident. Not a macho man. Perhaps a little bit girly, in a way. The key for me is if we can cry with laughter.

I know exactly what it's like to stand on top of a tall building or in a high place and look down and go, 'Ohhhh my God.' I try to get into that place every time I write a scene like that. And definitely when I write the action scenes, I get overheated and my heart goes really fast. I get very involved.

For Bryan and me, the Tampa Bay Buccaneers were our first baby. And your first baby is always special.