Quotes About Mood

They had painted in a grand rush to keep intact the purity of their first impression, the mood in which the motif had been conceived.

Married life had taught him the futility of arguing with a female in a dark-brown mood.

I guess Zeppelin is some happy stuff compared to us. It's pretty hippy, too.

It's always different for whatever the scene asks for but usually, I listen to music before the scene just to get into the mood, mellow myself out and really put myself into the character's shoes. I zone out from everything going on around me and just focus on what I have to do. From there, I just let it happen.

I think that David Lynch, he lives in a zone, and he expresses that zone to us with everything he does.

When writers say that they need to 'set the mood' or 'get into the zone', those are all ways to procrastinate. Not prerequisites.

To create is to boggle the mind and alter the mood. Once the urge has surged, it maintains its own momentum. We may go along for the ride, but when we attempt to steer the course, the momentum dies.

There was a little girl, And she had a little curl, Right in the middle of her forehead; When she was good she was very, very good, When she was bad she was horrid.

A countenance more in sorrow than in anger.

That is the principal thing: not to remain with the dream, with the intention, with the being in the mood, but always forcibly to convert it into all things.

A man is a kind of inverted thermometer, the bulb uppermost, and the column of self-valuation is all the time going up and down.

Some days I think I look kind of cute, but other days I try to avoid the mirror.

You cannot enter a studio and just start crooning before the mike. It is essential to understand the mind of the composer, mood of the song, and meter of the tune.

Children are extremely perceptive and absorb what goes on around them long before they can talk or even comprehend language. They are like finely tuned receivers that pick up much more than is merely said. They are receptive and attuned to every mood, feeling, and change that goes on in people around them.

When I write, it is always the melody that comes first, and it just happens to be the case that the most beautiful tunes are sad, and the lyrics follow the mood of the melody.

I like minor tunes.

Rage can be so common it turns ambient.

I don't go out there and put on any sort of front for people. If I'm in a good mood, I appear in a good mood on TV, and if I'm in a bad mood, I just go out there and look like I'm in a bad mood.

If I'm caught off guard or I'm not in a great mood, or if I'm feeling down or if I'm in my head and somebody comes up to me and I can't match the energy, I just have to think, 'Well, I did my job, which was to do the show or release the album or be in the TV show or write the joke. Beyond that, it's kind of a hit or miss what happens between us.'

Let's play it safe. I'm not in the mood to run right now and I know fighting is suicide. Last thing I want to do is make my enemies happy by dying. (Syn)

I usually enter the studio with a mix of songs that I've been listening to that are relevant to the sound I want to achieve.

You set the tone on the set that you want to see in the film.

I don't enjoy cooking when I'm high. And I don't want to be eating garbage because then I'll feel gross.

I'm a happy guy, but if I'm in a rare dark mood, I won't go out because I don't want to be horrible to people.