Quotes About Influence

Sheriff Petersen just went right on getting re-elected, a living testimonial to the fact that you can hold an important public office for ever in our country with no qualifications for it but a clean nose, a photogenic face, and a close mouth. If on top of that you look good on a horse, you are unbeatable.

More men have been defeated by reports than all the steel of all the swords in history.

power in and of itself is neither worthy of respect nor fear; it simply is. It is how power is employed, and towards what ends, that ennobles or denigrates the wielder of power.

Train those around you well, Pug. Make them powerful, but make them loving, generous men and women as well.

History is written by victors," said Duko. "But I have little use for history. It is the future with which I am concerned.

But a father is more than a person, he's in fact a society, the thing you grow up into.

All truths — even those that had seemed so certain as to be immune to the very possibility of revision — are essentially manufactured. Indeed the very notion of the objectively true is a socially constructed myth. Our knowing minds are not embedded in truth. Rather the entire notion of truth is embedded in our minds, which are themselves the unwitting lackeys of organizational forms of influence.

As Plato: It is an essential feature of the just state that the wealthy be kept away from political power and that the politically powerful be kept away from wealth.

It's deplorable that academia should prostitute itself, but there it is. Not even Harvard is above it. In fact, Harvard least of all, with that ludicrous delusion of self-importance that makes every Harvard professor feel he's a public intellectual, qualified to comment on issues far beyond his expertise.

We think we tell stories, but stories often tell us, tell us to love or hate, to see or be seen. Often, too often, stories saddle us, ride us, whip us onward, tell us what to do, and we do it without questioning. The task of learning to be free requires learning to hear them, to question them, to pause and hear silence, to name them, and then become a story-teller.

You may be told that the legal decisions lead the changes, that judges and lawmakers lead the culture in those theaters called courtrooms, but they only ratify change. They are almost never where change begins, only where it ends up, for most changes travel from the edges to the center.

We are all the heroes of our own stories, and on of the arts of perspective is to see yourself small on the stage of another's story, to see the vast expanse of the world that is not about you, and to see your power, to make your life, to make others, or break them, to tell stories rather that be told by them.

We live inside each other's thoughts and works.

Words travel, because the word arctic comes from arktos, Greek for bear. Cancer comes from the Greek word for crab, karkinos. Memory, or one of its locations in the brain, the hippocampus, means seahorse. A bestiary is buried in our language.

One of the rights that the powerful often assume is the power to dictate reality.

We are all the heroes of our own stories, and one of the arts of perspective is to see yourself small on the stage of another's story, to see the vast expanse of the world that is not about you, and to see your power, to make your life, to make others, or break them, to tell stories rather than be told by them.

Some influences stand out like a landmark and leave a traceable legacy with evident heirs. But the most profound influences soak into the cultural landscape like rain and nourish everyday consciousness. Such an influence is likely to go undetected, for it comes to seem the way things have always been.

In a fascinating op-ed piece last year, T. M. Luhrmann noted that when schizophrenics hear voices in India, they're more likely to be told to clean the house, while Americans are more likely to be told to become violent. Culture matters.

You read enough books in which people like you are disposable, or are dirt, or are silent, absent, or worthless, and it makes an impact on you. Because art makes the world, because it matters, because it makes us. Or breaks us.

Eliminate your mother, then your two grandmothers, then your four great-grandmothers. Go back more generations and hundreds, then thousands disappear. Mothers vanish, and the fathers and mothers of those mothers. Ever more lives disappear as if unlived until you have narrowed a forest down to a tree, a web down to a line. This is what it takes to construct a linear narrative of blood or influence or meaning.

If you're lucky, you carry a torch into that dark of Virginia Woolf's, and if you're really lucky you'll sometimes see to whom you've passed it, as I did on that day (and if you're polite, you'll remember who handed it to you).

The effects of your actions may unfold in ways you cannot foresee or even imagine. They may unfold long after your death. That is when the words of so many writers resonate most.

Everyone is influenced by those things that precede formal education, that come out of the blue and out of everyday life. Those excluded influences I call the grandmothers.

When I think back to why I was apolitical into my mid-twenties I see that being politically engaged means having a sense of your own power--that what you do matters--and a sense of belonging, things that came to me only later and that do not come to all.