Quotes About Solo

I am not an insecure actor, and this reflects in the films I have done. Yes, there was a phase when I was adamant on solo hero roles, but that is over now.

Jam Cruise is actually a comfortable place for me. My jamming skills and my improvisational skills have improved immensely as I've gone more solo, because I've had this opportunity.

When I was recording my first solo album 'Imaginaryland,' I was listening to a lot of movie scores.

By the time my first solo record came out, I was making a handsome living as a record producer. I had worked with the Band, Janis Joplin and all of these other artists in the Albert Grossman organization. So as my so-called solo career evolved, I never felt pressure that I had to come back and top when I might've done before.

Most stand-up comics relish performing 'in one' - solo. They like the autonomy.

When I first went from a band situation to a solo situation, it was quite an adjustment to make. But after having done it for a number of years, it really feels good out there.

My music has always been my solo project.

Sometimes I do 'So Desperate' solo in the middle of the set. I really love to sing that song.

Catwoman isn't a 'joiner.' She's a solo operator. She isn't naturally heroic; she's fairly selfish.

It's very hard to find a pianist that's willing to play the so-called accompanist role on part of the program and yet be capable of being a great solo pianist that you would want for the big sonatas.

I'm not saying I'll never go solo - never is a long time - but I've always been onstage with someone else. That way, you're in it together, and you can feel, together, when the songs are right.

The solo break or the small break, it's... one of the most glorious ways to win a bike race. It's pretty damn impressive in my mind.

Certainly, whatever I learn while I'm out solo, I bring back to Fleetwood Mac.

There were certain things I couldn't do with New Order without upsetting the rest of the band, so I started to write some solo stuff.

For a while, I was working on transcribing rap lyrics and then converting them into rhythmic patterns on the piano. And so in my mind, when I was taking a solo, I would be saying the lyrics and trying to play actual notes to their rhythms. Now, the influence just comes in and out in my playing.

Every so often, if I'm in a melancholy mood, I'll sing 'Desperado' in my shows. I'll sit alone at the piano and play it as a solo. The song feels like an old friend - except now it's saying, 'You were a desperado once, but you worked your way out of it.'

Sometimes, with vocalese, I'm dealing with something, a great solo from the past, which is so iconic I can't presume to change it or mess with it.

I often think about starting a band again, doing my solo stuff and a band. I grew up in bands.

The only reason why I made solo records was because I got so obsessed with politics, and that is quite personal. I don't really philosophically believe in solo records.

I think Thespis just wanted to be a solo player, you know?

It hasn't always been easy, but you get to a point where you're not doing the solo stuff with any kind of expectation in terms of commercial or a business outcome, you're doing it because you believe in this.

I believe that if each one of us have successful solo careers, it can only help the group's growth. It will allow the fans to see individual talent and make them appreciate us more. After all, we are in this for the long run and have every intention of returning with another album as Aventura.

Between 1963 and 1975, I worked very little. The Beatles had come to New York and changed music - all the solo singers were out of work.

Usually when you put five girls together, especially when they've been solo artists, it doesn't turn out very well.