Quotes About Depth

I felt completely out of my depth. There were so many questions I wanted to ask him but at the same time I was afraid of offending him.

When solving problems, dig at the roots instead of just hacking at the leaves.

A simple story filmed with limited sets can often be more effective than a costly extravaganza. provided it had depth and allows the audience to identify with the character.

I don't just want to sing about simplistic things all the time. It's good to have a mix of songs that have a real depth, and that provoke and challenge people, and then songs that are fun and people can enjoy.

I'd rather concentrate on making my character more convincing than trying to prove my acting prowess.

Craig has explored the darker recesses of 007's psyche. He has shown us the lonely man. And he has shown him falling truly in love.

Some psychiatrist told me I was interested in sculpture because I dealt in flat surfaces and needed something with dimension.

I want to play a psycho, something more challenging than just 'the girlfriend' part.

I don't like to do too much psychological research because it might turn a character into a patchwork.

Literature has become too psychological.

People who can pull you in and take you on a journey, as opposed to simply adding flash. Again, that feels very clinical, and I don't respond to that the way I used to.

Horseradish is one of those perk-me-ups. You can use it in a cocktail sauce, you can bread fish with it - it loses its punch when cooked. It's a 'What is that?' flavor. It adds depth of flavor to things.

I always say my music is like dark blue or black, like a punch to your gut that feels really good.

I don't know anyone who's 100 percent pure - nor do I have any interest in portraying anyone like that.

The type of work I like is pure and simple and profound.

I was always trying, even in pure action movies, to find what was sensitive about the character more than the pure action.

Cinema at its best can express something of the pure irreducible fact of things.

Motherhood is not only something very pure and very full of love, it can be full of dark things, too.

To me, St. Lucia isn't just purely feel-good; there are these other juxtaposed elements as well.

I wanted to show people that I don't just make love songs that are about purely being in love.

My mother was really beautiful, and I had to deal with her being objectified my entire childhood. But she also had this depth and purity that was almost otherworldly.

The purpose of narrative is to present us with complexity and ambiguity.

For me, what really excites me about my characters and what pushes their core is the kind of dark, sad side of life.

I enjoy pushing my characters to the limit. No matter how far out there I go, I look for things that make the characters human.