Quotes About Depth

Hmm,' said the King. 'I must write that down in my book of aphorisms. I don't know if it is deep, but it sounds deep.

One real meeting is much better than a thousand internet or social media words.

The subterranean lair of the wily human relationship: a dark maze of pop-up demons, fun house mirrors, spooky dead ends, multiple false bottoms.

Scarface swims along the sea bed in water

When the abyss gazes into you, bill it.

Never judge someone by the way he looks or a book by the way it's covered; for inside those tattered pages, there's a lot to be discovered.

The way through controversy is not through superficiality, clichés, caricatures, and sound bites. It is through the time-consuming, energy-draining work of putting together the best thoughts that I possibly can.

The standard series of f-stops, or f-numbers, is: 1, 1.4, 2, 2.8, 4, 5.6, 8, 11, 16, 22, 32

The moving camera creates a feeling of depth in the space. The zoom tends to flatten space and can call attention to the act of filming itself.

And all of the late, late-night talks, when you're not stoned, but you're so tired you might as well be, when you just sit there glowing with warmth, and all of those things that you really hope for come out, and you connect with each other on such deep levels that, when you think about it the next day, you wonder if it was real - if the others felt it too.

Consumers of psychological change advice should demand broadly useful methods of change that work, and that do so through change processes that have precision, scope, and depth.

There was, in his mind, no truer measure of stupidity than to imagine that the world could be reduced to two sides

My anthropological back gets raised hackles with simple worlds and simple conflicts. Nothing's simple. Nothing ever was.

There are tides beneath every tide And the surface of water Holds no weight.

There's nothing interesting about seeing our characters for an hour and a half do some flashy flying in the sky and beating up on some buildings. It's boring, and people don't want that anymore. They want character, and they want story.

I never give my real self. I have a hundred sides, and I turn first one way and then the other. I am playing a deep game. I have a number of strong cards up my sleeve. I have never been myself, excepting to two friends.

One layer was certainly 17th century. The 18th century in him is obvious. There was the 19th century, and a large slice, of course, of the 20th century; and another, curious layer which may possibly have been the 21st.

I always wanted a great love affair: something that feels big and full, really honest, and enough. No moment should feel slight, false, or a little off. For me, it had to be everything.

I'm interested in the things that might seem slight or amusing but which I feel have a kind of profundity.

The gross demonstration of caffeine is that it prevents you from falling asleep. The slightly more nefarious aspect of caffeine is that maybe you can fall asleep, but we know that the depth of deep sleep you're getting if caffeine is still in your system is severely less.

I always thought that Bray Wyatt, who had the most creative characters that he came up with it - it was a part of him deep down that lived in him. That's the reason he was able to pull it off. It wasn't him playing a character, it was just a sliver of the real him amped up, and that's always the characters that get over.

I don't believe songs that try to say everything in a simple slogan.

That's the great thing about the 'Sin City' movies. Each little slot is incredibly meaningful, and each character has their own moment.

With 'Girls,' Marnie was a slow burn; she shifted over time. With 'Get Out,' I was suddenly faced with the pressure that, like, I need an audience to know Rose deeply within 15 minutes, within a couple scenes. And that's not something I've ever done before.