Quotes About Depth

But in a TV series, you can really take a novelistic approach and explore characters that you wouldn't ordinarily see, in a level of complexity that you wouldn't ordinarily get to explore just out of the sheer time constraints in a feature.

Many TV shows will create characters where you get a sense of who they are, but they're just the bad guy out to find you and you don't know why because there's no tone or dimension there.

When people meet me or hear me in person, they quickly learn that I am much more than a tweet and a profile picture.

Books are anchored. You return to books. You don't return to a tweet.

As for tweeting and texting: impassioned discussions, particularly when they're intimate, don't work in abbreviated script messages. No relationship should begin or end in 140 characters.

I love having the opportunity to explore a part for a great length of time, really get deeper and deeper into it, because you only have a chance to do that once or twice in a career.

Of two evils, had not an author better be tedious than superficial! From an overflowing vessel you may gather more, indeed, than you want, but from an empty one you can gather nothing.

I think that most people who write about music just want to fill some paper. They're not really interested in getting to the heart of something. Otherwise, they wouldn't write what they write.

We all have dark sides to ourselves, and I want to portray that in a realistic way.

We scarcely wish to analyse what we feel to be so large and deeply human.

Dare to tell the smallest of stories if you want to generate large emotions.

We have always wanted to find the 'it-ness' of anything we shoot. We want to get as deep into the subject as we can.

Besides one should not believe that the people only want reading that is easy to absorb.

We're always trying to really ground it, and I use this term a thousand times, it's a score I want people to feel and not necessarily hear.

I like the opportunity to play characters who have these dark sides but make the audience empathize with them. You want them to think there is some kind of sweeter, softer side to it.

Clever's not enough to hold me - I want characters who are more than devices to be moved about for Effect.

If we could see, even for a split second, the depths of God's love for us - all we'd want to do is worship and prayer would never seem a chore.

The only really interesting thing about someone that makes you want to explore them further is their heart, and Miss Honeycut has a teeny tiny pea-sized one and it takes you nowhere you want to go.

People who want their love easy don't really want love.

If you want to be loved, love deeply and get lost in love.

I love you, he shouted, but he kept the words inside his head, because they were too small to express the immensity of what he felt.

You're the one who taught me that there is truth below the surface of tales. That we can learn courage from them. That they can teach us how to live our lives.

Love is too small a word - too small.

They made small effort to cover their raw souls with the mantle of commonplace words.