Quotes About Depth

He just stares. He's so quiet. That's the way we want him. Still water runs deep. Not with this one. The only thing that runs deep with him are the holes in his ears.

But Billy, how about me? What about what's inside of me?

La miré. Todo el cielo y toda la tierra corrían por aquellos ojos.

Understand me. I'm not like an ordinary world. I have my madness, I live in another dimension and I do not have time for things that have no soul.

La miró a los ojos y hubo una comunicación entre dos infiernos: el de ella y el de él

Ele [Henry} é tão quietinho... - As águas paradas são as que têm maior profundidade

it's nearly impossible to convey our deepest passions yet damned easy to share what's dullest and worst about ourselves.

I do know that however hard you try, you can't see the inside tangle of somebody else's love—or whatever uglier word applies—not deep enough to make sense of it.

Yet, those who are truly honest and humble enough to admit the truth come to the end of their earthly lives acknowledging that they have barely scratched the surface.

I'm possessed, recursively.

I've suffered for what I know, so I'm not going to let you off the hook with a simple one-liner. I think you deserve a detailed explanation.

A stab wound less than three millimeters deep is legal and even encouraged. We cannot help you unless a crime has been committed. Fourteen millimeters or more.

And strange are the ways of deep emotion.

It has helped me to understand more about who I am- the geography of my own soul.

Yeah, right, I thought. God hadn't asked me if I wanted to go deeper, and thank you very much, I liked the shallows. It's easier to play when there's no current. In the middle you lose your footing; you lose control. You lose.

I'm not really deep enough to have enough to think about for fifteen minutes.

I think I'm pretty misunderstood, because I'm not just about football.

We like to categorize things into showy things and deep things, you know, and things that are high music - important music - and shallow music. And I think that's dangerous, because there's often a mix of both.

The people I choose as models have a quality that seems to contain the past, the present, and the future all at once. It's hard to explain. I can look at 100 people in a room but only find it in one person.

There's a depth to the look that you get with models that you just can't get with CGI. It's about the detail that you just wouldn't think to put in.

It's not that I'm necessarily looking for things that are so dark and emotional. But if I see something where the character goes through enormous change, it's very appealing to play all those levels, and that is probably going to involve some dark moments.

In Arabic, 'Naseem' means a gentle breeze. But inside the guy's a monster.

I'm not a person you can figure out in one month. And you can't listen to one song and say, 'That's who he is.'

What I keep searching for in movies, more and more, is the right gravity.