Quotes About Depth

You know, we have to take these characters - who, granted, have their separate personalities but, on a lot of levels, are pretty two-dimensional - and make them into people with flaws, with insecurities.

I'm very interested in how we read things, especially the link between seeing two-dimensional and three-dimensional images, because of how I read.

There's no particular role that comes to mind that I'd like to take on, but for me, it's about playing interesting characters and not just two-dimensional ones.

I didn't like characters that were one- or two-dimensional. I liked a guy to have a lot of different levels to him and layers, and I think I pretty well succeeded with Thanos.

The Internet is fascinating but also stupid in a way. You only see two-dimensional images, and you think you've seen it and know it.

People are more than two-dimensional, and again I think the complexities in life, and in one's makeup, grow as you get older, partly through experience.

I think, in a comedy, it's easy to play people as very two-dimensional. But what is enjoyable to watch is seeing a more fully rounded person.

Musicals aren't two-dimensional froth.

I don't think anyone's interested particularly in watching stuff that's just about two-dimensional characters anymore.

I would like to, especially in film, play against type and do some heavier stuff. I'm intrigued by projects that deal with problematic people and things.

I'm not the type of guy to go so deep with the concept songs, but there's deep thought in everything. Maybe it's not just a repetitive hook telling you what the song is about - you have to use your brain a little bit.

I'm usually attracted to more interesting types of men. I have no desire to be with a cookie-cutter Ken doll.

Sometimes there's a snobbery among literary types that these people don't really get it, but in a lot of ways they get it more than the literati. There's a culture in the background that they understand and know. They get that deeper level.

Kolaigaran' is not a typical hero-villain subject. We explored the other side of human nature, which is grey.

Songwriting for me is about zooming into the canvas, not songwriting in a typical sense.

I think 'ex-model,' especially in the UK, smacks of being shallow and stupid and having no soul.

If the movie's well made and it's about things that count, people will ultimately see the depth in it.

Humour and high seriousness... Perfect bedfellows, I think. Though I usually phrase it in terms of comedy and darkness. Comedy without darkness rapidly becomes trivial. And darkness without comedy rapidly becomes unbearable.

You realise that, with 'Rick and Morty,' each episode is so deep and dense it is extraordinary. It slightly annoys me that it's so good; it's almost unbeatable as a TV show.

There's this unbelievable bias and prejudice against quote-unquote good-looking people, that they can't be in pain or they can't have rough lives or be deep or interesting.

I wanted to go to a place with my first album that was just to the root, to the heart of emotion, and just unbridled by anything that wasn't truly in my heart.

I know. I was there. I saw the great void in your soul, and you saw mine.

When you raise the most valid of points, you will be grazed by the most hollow of souls, and the most vacant of personages.

If your love for your wife can be measured, it is not big enough.