Quotes About Depth

An eye can look out and it can look in. You should know that, you who look deeper than most.

Anything that is easy enough to understand is not powerful enough to be worshipped.

Os Erros, como a Palha, flutuam à superfície; Aquele que proura Pérolas deve mergulhar mais fundo.

The pattern-like quality of the picture surface, together with the opulent materials and the flatness of the image (there are no illusions of space or depth in this painting), are all characteristics of a mode of painting known as International Gothic.

It's my personal onion theory. See, it's like we've all got layers on layers, going deep inside, to layer ten, that place where we're spiritual and private. But we don't show those deep layers.

But if what a novel exudes has not been felt properly or seriously or deeply enough by the writer, then it will show and I will become tremendously bored and irritated.

The mind is like the ocean. And deep in the ocean, beneath the surface, it's calm and clear. And no matter what the surface conditions are like, whether it's smooth or choppy or even a full-strength gale up there, deep in the ocean it's tranquil and serene.

the pupil of the eye as a window to the soul.

We want to give deep insight into sports at all levels and bring the viewer inside the journey for an entirely new perspective.

I don't want the viewer to be able to peel away the layers of my painting like the layers of an onion and find that all the blues are on the same level.

Smart writers really take their time in investing in backstories and characters. As a viewer, you have to invest in them and love them before you can chip away at what's going on more on a deeper level with secondary characters.

Cinema and the arts invite viewers to focus on a story and, in doing so, peel away its layers and peer into the depths of the human soul.

I think viewers realize that people are a lot more three-dimensional than TV has traditionally portrayed them, particularly in news.

We're going to develop - what we want to do is to provide the viewers with what they want from CNN and that is the news. So when people tune in, they'll get the latest news, but they'll also get the biggest story of the day in depth, as CNN does so well.

Regardless of the success of a drama or film, I will be satisfied if viewers say that my acting has progressed and has gained more depth.

'The Raikar Case' will offer the viewers with a kind of such a real experience as it truly delivers more than what meets the eye.

Well, anytime I make a movie, I like to load it up with more things than you could ever catch on the first viewing.

Sometimes there is more exploration in the character for a villain.

For me, especially with the villain, it's not very interesting to write a guy who is just 100% bad.

The character Jang Joon-woo isn't a simple villain. He is multi-dimensional.

The characters that have greys are the more interesting characters. The hero who sometimes crosses the line and the villain who sometimes doesn't are just much more interesting.

I think a villain who starts his morning looking in the mirror, wringing his hands, and going, 'How can I be evil today?' is not an interesting villain. An interesting villain is a person who you understand on some level, I think.

I also try very hard to create characters - both heroes and villains - with psychological depth.

A lot of times, female characters - particularly the villains - come off as very one-dimensional. They get the short shrift in that they're only given the snappy comeback, or they're relegated to a very stereotypical role. I want to know what's driving them - that's what's really interesting.