Quotes About Filming

My hats off to anybody filming action, because you get beat up. If I'm going to get the crap kicked out of me, I would love 15,000 people on hand to tell me that I'm doing good or I'm doing bad. So, if I'm going to be in any physical duress, I'd really like it to be in a WWE ring, which is why I was so amped to be a part of 'Trainwreck.'

The nude scenes were a little eerie and I felt a bit odd. Yeah, when the camera scanned up my body, I said to my friend, 'Now, that's a close-up.' I mean, you see every inch of my body. But I'm okay with it and so it was cool.

Yeah, there was the Flora Plum thing, where I trained for about a month and I had taken a semester off for that, and two weeks prior to filming, the financing collapsed.

I'm a trumpet player, so I always carry a pocket trumpet in case there's an opportunity to jam with the locals. I was in Guadeloupe last year filming 'Death in Paradise,' and I played all over the island and had the best time.

I did a picture 40 years ago with Carroll O'Connor and Telly Savalas, God rest their souls, and Clint Eastwood, called 'Kelly's Heroes,' which we filmed in Yugoslavia for six months.

Actually I have a tradition that I always steal my last costume on the last day of filming.

I have a tradition that I always steal my last costume on the last day of filming.

Television cannot film corruption. Television cannot spend five days on a rattling railway train, talking endlessly. Television needs excitement, it needs an angle, it needs a 'sound bite.

While filming 'The Matrix,' we studied how a Chinese fight-choreography team trains actors before production starts so that they can participate in action sequences in a more dynamic way.

Filming, for me, is a way of approaching, little by little - of getting closer and closer to my subject. And that subject itself can transform, or it can remain the same.

Right now a lot of people are still choosing to go to Toronto instead of shooting in New York City, something I haven't done and something I hope I'll never have to do.

I was shooting for 'Bin Roy' and 'Ho Mann Jahaan' simultaneously.

I started singing for The Phantom in January, and we started filming in October and I sang all the way through to the next June. In fact, I was singing for about two months before I even knew I had the role.

There was never any career plan. When 'Red Dwarf' started I thought we were doing a curious little sitcom on BBC2, I didn't think I was becoming an actor. I didn't see that 21 years later I'd still be talking about it, let alone filming a new one. For me everything's always been an accident.

Even the Australians don't know how beautiful their own country is. Particularly where we were shooting 'The Straits.' Most of my stuff was done on an aboriginal settlement on the south shore, opposite Cairns, which I believe was the site where the last person was eaten in Australia.

When you're filming for seven months or six months at a time, you bond with people hugely.

There's something really fun about being scared, and I guess that was at least part of why I wanted to film certain scenes from my new book, 'Skeleton Creek.'

Usually in a Smosh sketch, we get 60 shots, 12 hours to shoot - we're just going 'bam, bam, bam.'

All my brother Eliot and I did as kids was film sketches.

On 'Skins,' we only ever filmed for a couple of months in the summer. When I wasn't on set, I was doing my normal things.

'The Voice' is built on positivity. Once we started filming, I knew that America was really going to love it.

I love filming in Britain.

I've got a huge family back in Ireland, and I've made loads of movies in Ireland.

It's beautiful, shooting in Ireland. It's an amazing country.