Quotes About Filming

One thing I've really never had a problem with was memorizing lines. Most of the time I don't memorize the lines until we're on the set shooting the scene.

Getting to do what I think was my fifth BBC drama with Nikki Amuka-Bird - we've done 'Shoot The Messenger,' 'Five Days,' 'The No. 1 Ladies' Detective Agency,' 'Born Equal' and now 'Small Island' - was another highlight for me. And filming in Jamaica was great, too.

When I went back home to Seattle after filming 'Dune' in Mexico, I thought, 'Did this really happen?'

When we were filming the first 'Magic Mike,' we obviously had a limited budget; it was an independent film. And we would entertain extras in between takes.

We went to Arizona to film the interiors of Stir Crazy in an actual prison. From Tucson, where we all stayed, it was an hour-and-a-half drive to the Arizona State Penitentiary. Sidney used real prisoners as extras. They had all been cleared by the prison authorities to work with us, and each prisoner was paid for every day he worked.

When we shot 'The Lord of the Rings,' we had special permission to film in wild areas of New Zealand that could be accessed only by helicopter. They would drop us off and we would work all day, and they'd pick us up and take us out again.

You prep, you prep, you prep. And on the day that you film, you let all of that go. I try to achieve emptiness as much as possible - the Zen thing - to let the deal come out of that nothing.

'Cloverfield' and 'REC' are great examples of movies that took kind of tired genres, the monster movie and the zombie film, and by filming them in found footage, it was a new perspective. It gives you a whole new take and helps you re-experience that all over again.

I was so happy that it filmed in New York not only because it's an amazing city, but also because a lot of people across the world somehow started to think about New York as a dangerous place to be and envisioned it as some war zone after that happened.

When I'm filming, survival requires movement. You need your energy, and you've got to eat the bad stuff, and survival food is rarely pretty, but you kind of do it. I get in that zone, and I eat the nasty stuff, but I'm not like that when I'm back home.

Filming a story set in a war zone in the '60s was such a treat, as it gave me so much scope to dive into.

'Begum Jaan' was such a very different zone for me. After the filming was complete, I got immersed in voice modulation. I had to shout my lungs out into the microphone and then dub for it to get that hoarseness in my voice.

There is an old story that says that Julia Child dropped a chicken on the floor when she was filming 'The French Chef.' And then - that, in fact, is not true. She just, you know, dropped some potatoes she was trying to flip in a pan.

We never really know what's around the corner when we're filming - what turn a story will take, what a character will do or say to surprise us, how the events in the world will impact our story.

If you're writing, it means getting up and writing all day, and if you're filming, it's getting up and filming all day. I get up, go to my computer, write, turn it off, and go to bed. That is a Clarkson day.

Look, some days, you have to film a sequence in which the rain is pounding down on someone and you're just turning the camera on what's happening. And other days, you occasionally have to spray Robert Pattinson in the face with a firehose.

We shoot 'Hustle' for 12 to 16 weeks, so that's how long I'm here each year. I've always loved London. I lived here for three years back in the Seventies, when I did a TV series, 'The Protectors,' for Lew Grade.

'Game of Thrones' is shot on a very similar kind of schedule to a TV show, but there's a lot more time and focus put into the script.

One of the things you have to get used to, working on a TV show, is filming out of sync.

Normally, a TV show shoots episodically.

When we film the TV show, it's with a hidden camera so we don't get to see how fans react to what we are doing and when fans watch it at home.

With TV shows that film in London, you're pretty much around for your kids, so that's good.

We filmed 'Expelled' in Santa Clarita at an all-girl's school. There were twelve hour days.

I refused to be filmed getting off a bus twice. The director said, 'I'm an award-winning director. Please do it', and I said, 'I never thought I'd say this, but I'm an award-winning actress with a bad leg, and if your film depends on seeing me get in and out of a bus, we're in trouble.'