Quotes About Filming

Ein jüngerer, intelligent aussehender Mann mit langem Haar fragte mich, ob Filmen, bzw. Gefilmtwerden, Schaden anrichten könne, ob es eine Person vernichten könne. In meinem Herzen war die Antwort ja, aber ich sagte nein.

I started playing the guitar when we started filming the pilot to 'Lost in Space,' which was way back in December of 1964, and there's a little bit in the pilot that was used in the first season where Will Robinson is sitting around some bad foam rubber rock playing and singing 'Greensleeves.'

What's very funny is when you see amateurs filming something, they do some things no professionals would dare to do. They instinctively do things that are very avant-garde and useful.

The farm uses up a lot of my creative urges. It's a sort of rough and ready space, I don't film there.

We were using a hand-held camera to film the scene when Morse collapses. The camera wouldn't start. Three times they said action and it still wouldn't work. To this day, they still don't know what was wrong.

I have never seen a script that hasn't gone through at least eight different iterations before they even begin filming, and frequently what is filmed is not what's in the script, because things change on the ground. An actor can't say a particular line. An actor will have a brainstorm and ad lib something utterly brilliant.

The sun would come up over the ocean, and we'd be eating scrambled eggs before we shot some stuff. It was a vacation in the sense that it was the best working conditions.

I used to work in kitchens, doing 12 or more hours a day of physical labor, so today, eight to 12 hours of cooking, chatting or filming feels like a vacation. When I have a scheduled 'day off,' I spend several hours writing, then I clean until I crash from fatigue. I don't relax well.

I love that you work out relationships with people as you're filming just to get something real to play on screen.

I only ever privately tell people stuff for the scene. And I often ask what they feel is right. Normally, by the time that we're filming, if it doesn't work, it always the script.

When I was filming the death scene [in Inglourious Basterds], and I'm killing somebody, I had to work myself up.

The work I enjoy is when the camera rolls, and I like the work in the moment.

I love filming in London. In New York, every street is familiar because you have seen it in a movie. They mythologise their own city. You're forever trying to get down streets that have been blocked off because of shooting. In London, they don't put up with it; they're grumpy.

I didn't eat well while filming 'Sixteen' because I was so stressed out.

Filming is such a nerve-wracking and stressful process for me. I love it so much, and it's so fun, but I never have a time to fully appreciate it until after I'm done and I get to step back and look back at it.

I always find filming stressful. I get very caught up thinking about my character - 'Am I doing it right? Should it be done this way?'

Filming TOWIE' can be so stressful. It is in the contract everyone has to see a psychiatrist. You have to see them and get checked over before the series starts and at the end.

The first year I was on 'Les Mis' there was strictly no filming backstage, then slowly social media proved invaluable to building an audience.

Shooting against greenscreen... my choice of filming is, like, I'd rather shoot on location than shoot on a set, and I'd rather shoot on a set than shoot against greenscreen. You start stripping away the layers of reality, and it becomes a lot less fun to actually film.

The strongest moments in my life are when I'm filming. It's an adventure. As an actor I try to seduce someone, try to share something. The rest of my time is spent exploring experiences with women.

'A Clockwork Orange' was filmed near where I grew up, and 'Children of Men.'

In documentaries, the process is that you film a lot of things, and out of what you've shot, something organically reveals itself, and there's a discovery process.

When I was filming 'The Outsiders,' my idea of success was getting the next Martin Scorsese movie.

No matter how much I plan the overall arc of the character, you get there day one on the film and you shooting certain scenes first, and it goes completely different to anything you ever thought of, and then it's done.