Quotes About Beauty

Each leaf that brushed his face deepened his sadness and dread. Each leaf he passed he'd never pass again. They rode over his face like veils, already some yellow, their veins like slender bones where the sun shone through them. He had resolved himself to ride on for he could not turn back and the world that day was as lovely as any day that ever was and he was riding to his death.

He rose and turned toward the lights of town. The tidepools bright as smelterpots among the dark rocks where the phosphorescent seacrabs clambered back. Passing through the salt grass he looked back. The horse had not moved. A ship's light winked in the swells. The colt stood against the horse with its head down and the horse was watching, out there past men's knowing, where the stars are drowning and whales ferry their vast souls through the black and seamless sea.

The man smiled at him a sly smile. As if they knew a secret between them, these two. Something of age and youth and their claims and the justice of those claims. And of the claims upon them. The world past, the world to come. Their common transiencies. Above all a knowing deep in the bone that beauty and loss are one.

She smiled. I think it's just the snow. I think it makes people stop and think. Bell nodded. I hope it comes a blizzard then.

All things of grace and beauty such that one holds them to one's heart have a common provenance in pain. Their birth in grief and ashes. So, he whispered to the sleeping boy. I have you.

There were times when he sat watching the boy sleep that he would begin to sob uncontrollably but it wasn't about death. He wasn't sure what it was about but he thought it was about beauty or goodness. Things that he'd no longer any way to think about at all.

That was in nineteen and thirty-one and if I live to be a hunnerd year old I don't think I'll ever see anything as pretty as that train on fire goin up that mountain and around that bend and then flames lightin up the snow and the trees and the night.

A man was coming down the road driving a donkey piled high with firewood. In the distance the churchbells had begun. The man smiled at him a sly smile. As if they knew a secret between them, these two. Something of age and youth and their claims and the justice of those claims. And of the claims upon them. The world past, the world to come. Their common transiencies. Above all a knowing deep in the bone that beauty and loss are one.

He knew that on the day of his death he would see her face and he could hope to carry that beauty into the darkness with him, the last pagan on earth, singing softly upon his pallet in an unknown tongue.

Gray vines coiled leftward in this northern hemisphere, what winds them shapes the dogwhelk's shell. Weeds sprouted from cinder and brick.

They watched her sit, holding the bundle up before her, the lamp just at her elbow belabored by a moth whose dark shape cast upon her face appeared captive within the delicate skull, the thin and roselit bone, like something kept in a china mask

They passed, leaving a trail of foxfire shuffled up out of the wet leaves like stars plowed in a ship's wake.

He thought the world's heart beat at some terrible cost and that the world's pain and its beauty moved in a relationship of diverging equity and that in this headlong deficit the blood of multitudes might ultimately be exacted for the vision of a single flower.

All things of grace and beauty such that one holds them to one's heart have a common provenance in pain. Their birth in grief and ashes. So, he whispered to the sleeping boy. I have you.

All things of grace and beauty such that one holds them to one's heart have a common provenance in pain.

En sus sueños su pálida novia iba hacia él desde una verde bóveda de ramas. Sus pezones como de marga y sus costillas pintadas de blanco. Llevaba un vestido de gasa y sus cabellos oscuros estaban recogidos con peinetas de marfil, peinetas de concha. Su sonrisa, su mirada baja. Por la mañana volvía a nevar. Cuentas de hielo gris en ristra sobre los cables de electricidad.

watching the flames twist in the wind.

The hour. There is no later. This is later. All things of grace and beauty such that one holds them to one's heart have a common provenance in pain. Their birth in grief and ashes.

Now come days of begging, days of theft. Days of riding where there rode no soul save he. He's left behind the pinewood country and the evening sun declines before him beyond an endless swale and dark falls here like a thunderclap and a cold wind sets the weeds to gnashing. The night sky lies so sprent with stars that there is scarcely space of black at all and they fall all night in bitter arcs and it is so that their numbers are no less.

Glass flowers exploding. Slow trail of colors down the sky like stains dispersing in the sea, candescent polyps extinguished in the depths.

Because beauty has power to call forth a grief that is beyond the reach of other tragedies. The loss of a great beauty can bring an entire nation to its knees. Nothing else can do that.

I think it's just the snow. I think it makes people stop and think. Bell nodded. I hope it comes a blizzard then.

Forty minutes later he saw her and stopped and sat the horse and watched. She was riding along a red dirt ridge to the south sitting with her hands crossed on the pommel, looking toward the last of the sun, the horse slogging slowly through the loose sandy dirt, the red stain of it following them in the still air. That's my heart yonder, he told the horse. It always was.

What runs so contrary to received wisdom is that it really is the male who is the aesthete while the woman is drawn to abstractions.