Quotes About Beauty

The house was burning, the yellow-red sky was like the sunset...Nothing would be left, the golden ferns and the silver ferns, the orchids, the ginger lilies and the roses...When they had finished, there would be nothing left but blackened walls and the mounting stone. That was always left. That could not be stolen or burned.

It was a beautiful place - wild, untouched, above all untouched, with an alien, disturbing, secret loveliness. And it kept its secret. I'd fins myself thinking, 'What I see is nothing - I want what it hides - that is not nothing'.

Satin skin, silk hair, velvet eyes, sawdust heart - all complete.

She lifted her eyes. Blank, lovely eyes. Mad eyes. A mad girl.

I must remember about chandeliers and dancing, about swans and roses and snow.

I can remember every second of that morning, if I shut my eyes I can see the deep blue colour of the sky and the mango leaves, the pink and red hibiscus, the yellow handkerchief she wore around her head, tied in the Martinique fashion with the sharp points in front, but now I see everything still, fixed for ever like the colours in a stained-glass window. Only the clouds move. It was wrapped in a leaf, what she had given me, and I felt it cool and smooth against my skin.

But you don't know the world,' I teased her. 'No, only here, and Jamaica of course, Coulibri, Spanish Town. I don't know the other islands at all. Is the world more beautiful, then?' And how to answer that? 'It's different,' I said.

her waist goes in , her hips come out, her long black hair is coiled into a smooth bun on the top of her round head. She is very restful to the tired eye.

There was a vase of flame-coloured tulips in the hall - surely the most graceful of flowers. Some thrust their heads forward like snakes, and some were very erect, stiff, virginal, rather prim. Some were dying, with curved grace in their death.

Music is, for me, like a beautiful mosaic which God has put together. He takes all the pieces in his hand, throws them into the world, and we have to recreate the picture from the pieces.

Marseilles isn't a city for tourists. There's nothing to see. Its beauty can't be photographed. It can only be shared. It's a place where you have to take sides, be passionately for or against. Only then can you see what there is to see. And you realize, too late, that you're in the middle of a tragedy. An ancient tragedy in which the hero is death. In Marseilles, even to lose you have to know how to fight.

Days are only beautiful early in the morning. I should have remembered that. Dawn is merely an illusion that the world is beautiful. When the world opens its eyes, reality reasserts itself, and you're back with the same old shit.

Dawn is merely an illusion that the world is beautiful.

Marseille ist keine Stadt für Touristen. Es gibt dort nichts zu sehen. Seine Schönheit lässt sich nicht fotografieren. Sie teilt sich mit. Hier muss man Partei ergreifen. Sich engagieren. Dafür oder dagegen sein. Leidenschaftlich sein. Erst dann wird sichtbar, was es zu sehen gibt. Und dann ist man, wenn auch zu spät, mitten in einem Drama. Einem antiken Drama, in dem der Held der Tod ist. In Marseille muss man sogar kämpfen, um zu verlieren.

Off to the left, a 2nd gray brown smudge rose to bifurcate the cerulean of the late afternoon sky.

They say that every snowflake is different. If that were true, how could the world go on? How could we ever get up off our knees? How could we ever recover from the wonder of it?

You are a pool of clear water where the light plays

I live in the space between chaos and shape. I walk the line that continually threatens to lose its tautness under me, dropping me into the dark pit where there is no meaning. At other times the line is so wired that it lights up the soles of my feet, gradually my whole body, until I am my own beacon, and I see then the beauty of newly created worlds, a form that is not random. A new beginning.

There is a certain seductiveness about dead things. You can ill treat, alter and recolour what's dead. It won't complain.

There's no such thing as effortless beauty--you should know that. There's no effort which is not beautiful--lifting a heavy stone or loving you. Loving you is like lifting a heavy stone. It would be easier not to do it and I'm not quite sure why I am doing it. It takes all my strength and all my determination, and I said I wouldn't love someone again like this. Is there any sense in loving someone you can only wake up to by chance?

Breathe in, breath out. Oxygen is carcinogenic and likely puts a limit on our life span. It would be unwise though, to try to extend life by not breathing at all. Which of us doesn't do it? Either we loll in anaerobic stupor, too afraid to fill our lungs with risky beauty, or we roll out fire like dragons, destroying the world we love. I try not to burn up my world with rage. It is so hard.

when the dying sun bled the blue sky orange.

The winged word. The mercurial word. The word that is both moth and lamp. The word that is itself and more. the associative word light with meanings. The word not netted by meaning. The exact word wide. The word not whore nor cenobite. The word unlied.

What art does is coax us away from the mechanical and towards the miraculous