Quotes About Choral

I love music, and I once thought about doing a choral scholarship, but the people put me off.

With vocal and choral music, first and foremost, it's the text. Not only do I need to serve the text, but the text - when I'm doing it right - acts as the perfect 'blueprint', and all the architecture is there. The poet has done the heavy lifting, so my job is to find the soul of the poem and then somehow translate that into music.

I grew up teaching parts to choirs, and I love a whole group of voices singing as one.

A cappella music has always been around. It's such an old form.

The first choral music I remember hearing was Handel's 'Messiah' when the Mormon Tabernacle Choir broadcast it over the radio.

Well, I loved singing in the chorus, and there was some connection for me between gospel and choral music.

When the truth is that there would be no great Western music, and certainly no decent choral repertoire, without the Catholic faith.

Britain's contribution includes Bantock's choral ballet The Great God Pan (1920) and Pagan Symphony (completed 1927), both painting fantastical sound pictures of frisky nymphs and satyrs, and brimming with the energy of eternal delight.

I've been kind of listening to the composer Britten and his rendition of 'A Midsummer Night's Dream.' The opening track is a choral section where all the weird fairies, who are played by kids in the production, sing. It's a crazy opening melody and chord sequence - really amazing.

When the truth is that there would be no great Western music, and certainly no decent choral repertoire, without the Catholic faith.

My taste in both is pretty eclectic. I do encourage people to try new and different kinds of tea if they can - there are so many different sorts, and so many, flavored or not, and there's bound to be something you like. The same with choral music, really.

I loved teaching and directing choral activities at BYU, but nothing surpasses working with the MTC musicians.

When I had my first experiences of choral singing, the dissonance of those close harmonies was so exquisite that I would giggle or I would tear up, and I felt it in a physical way.

Never have so many recordings of the great Masses and motets been in wider circulation.

I think that the pivotal point of me in terms of the choral stuff is that I was involved in this provincial choir at 16 or 17. We went and played in churches and convention centres. The music we got to do was so inspiring for me.

Since I first fell in love with choral music when I was 18 and began composing at 21, I've been listening to these recordings of British choirs. I just fell in love with that sound - that pure, clean, pristine sound - and I think it's probably been the biggest influence on my sound.

When I was in grade school, I remember singing in a chorus where they actually had two parts going. It was very easy for me to pick out the harmonies, and I kind of just went with it.

I sang a lot in college - I was in a choral group in college. But, then, when I moved to New York, I really just concentrated on acting.

My mom sang in high school choir and so did my father.

The whispers of shared ecstasy are choral.

I did a lot of choral music in high school, and that was kind of my primary, stable outlet for music because I didn't feel comfortable being a soloist. It was a cool, safe space for me musically.

As for sacred polyphony, there is no reason to be afraid of it.

If it's a Clean Bandit-related stress, there are smooth things they play on Classical FM that can help, such as Barber's 'Adagio for Strings,' or there is a choral version of it too that is very relaxing.

tiene por casualidad una droga cuyo efecto, en unos términos semejantes a los del órgano Hammerstein, corresponda a algunos fragmentos del movimiento coral de la Novena de Beethoven?