Quotes About Class

I grew up in Evanston and lived in Chicago for a long time, in Old Town and Wrigleyville. I did three films when I was in high school. The first was 'Class,' with Rob Lowe. I had a supporting role in that.

One of the big things coming out of healthcare reform is a thing called the Community Living Assistance Services and Supports Act (CLASS) which is a mechanism to reimburse people staying at home for technology and services that allow them to stay at home.

Regressing back to an infant state is nothing to be proud of. Rich Americans don't drive themselves, don't cook, don't do their own nails/hair/make-up, don't shop, and I suppose all they've got in common with rich British people is that they don't raise their own kids, either.

The blue-collar is not supposed to read Horace, nor the farmer in his overalls Montale or Marvell. Nor, for that matter, is the politician expected to know by heart Gerard Manley Hopkins or Elizabeth Bishop. This is dumb as well as dangerous.

And I am interested in the fact that class is very much a factor in America, even though it's not supposed to be.

When I was 20 years old, I was living in Ireland, going to school in Cork. There was this girl in my film class that I was kind of flirting with. We had this notebook that we passed back and forth. We would write 10 questions and then pass it back while we were supposedly paying attention.

'Downton Abbey' is a pageant, a cavalcade of a time when being born right is the first and most irrevocable career move, and in which an older order - whose passing 'Downton's' creator, Julian Fellowes, clearly mourns - is submerging in icy seas as surely as a grand and extravagant ocean liner.

Children are more perceptive than we give them credit for: the poorest kids know their place as surely as the wealthiest children are aware of their station.

I was a little nerdy, but I got along with everybody. I had fun at school - skateboarding, surfing, getting kicked out of class for making too much noise.

Nothing surprises me about the Lords.

I think I was the only person in my experimental film class doing comedy. But my sense of humor and a lot of comedy that I love is quite surreal and strange, you know? You could argue that 'Monty Python' is experimental film. It just happens to be really funny.

To hell with the rich, they make me sick.

There's always something to do if you don't have to work or consider the cost. It's no real fun but the rich don't know that. They never had any. They never want anything very hard except maybe somebody else's wife and that's a pretty pale desire compared with the way a plumber's wife wants new curtains for the living room.

From thirty feet away she looked like a lot of class. From ten feet away she looked like something made up to be seen from thirty feet away. Her mouth was too wide, her eyes

I was arguing not that everyone should read books by ladies—though shifting the balance matters—but that maybe the whole point of reading is to be able to explore and also transcend your gender (and race and class and orientation and nationality and moment in history and age and ability) and experience being others.

Violence doesn't have a race, a class, a religion, or a nationality, but it does have a gender.

In any class I feel at home, and I am never accepted, because of the traces I bear of my other origins. This does not, instance by instance, cause me any pain, but my experience of rejection has been an agony.

To ameliorate & raise the standard of the workingmen to the bourgeois level, is perhaps to create a race of slaves content with their lot,-a cast of comfortable Pariahs.

Whenever I see watercress, which isn't very often, I think of the rich. I think they are the only people who can afford it and they use watercress in exotic recipes that they keep hidden in vaults from the poor.

ALTHOUGH American political life has rarely been touched by the most acute varieties of class conflict, it has served again and again as an arena for uncommonly angry minds.

In order to bring about a convulsive political change, it was essential to intensify the existing social tensions to the point where all would be driven to choose sides in what would thus be established as a simplistic equation of class conflict. Marxists and their ideological inheritors described this as sharpening the contradictions of society.

We don't allow females.' 'I know. I don't want to put my foot across your poxy threshold… I'll try not to be too obviously female. I'll keep the swoonings to a minimum and promise I'll have only one fit of the vapours.' The footman curled his lip. 'You - the vapours! Ha! Brats like you can't afford that luxury.

in this country shadings of class resist time longer than differentials in age

mayor sueño de la democracia consiste en elevar al proletariado hasta el nivel de estupidez de la burguesía», escribió Flaubert.