Quotes About Post-apocalyptic

Epic science fiction game, that's always been on my mind. Post-apocalyptic, 'Fallout,' was our first choice. Sci-fi was our second at the time, when we got the 'Fallout' license. We were going to do our own post-apocalyptic universe if we didn't get 'Fallout.'

What's there to be scared about? A post-apocalyptic city with no government or security, surrounded by a desert and swarming with Cranks. I mean, come on. Don't be a sissy.

I love 'Mad Max' and 'The Road Warrior,' in particular - those movies are very close to my soul, you know what I mean?!

Part of the post-apocalyptic, dystopian trend is that it seems to go hand in hand with young adult novels. Maybe that's because it's not simply the adults who are aware of the current crisis. Teens are the ones who are being told, again and again, that their futures are in jeopardy. The teen years can feel dystopian even in the best of times. But I don't think we realize how much pressure and feeling of doom we're passing down to our teens.

It's been said that horror films are experimental forms of art, and I agree. As an actress, you're put in positions and have to experience emotions that are way beyond reality, whether fighting in a post-apocalyptic world or being possessed by the Devil.

I was looking forward to a hot shower - with him. We rarely showered alone. To be fair, who wouldn't conserve water after living through the Flash?

not Small Town turns out to be what New Yorkers want to read, it is very definitely the book this New Yorker needed to write. It is, I came to realize, a post-apocalyptic novel set in New York in the summer of 2002. We've had our apocalypse, and we're New Yorkers, and we're moving on.

I like animal sidekicks. They seem to be a pretty cool trope of post-apocalyptic fiction - just because if you're going to have this lone protagonist, they're going to need someone to talk to. Dogs are overused, and cats are dumb. So that leaves monkeys.

'Shank' is set in 2015, and it's set in a post-apocalyptic world where the main commodity is food. It's about how five young gentlemen travel around that harsh terrain and survive.

A maioria vinha se preparando para missões clandestinas pós-apocalípticas desde que tinha idade suficiente para segurar um controle de Xbox.

Thermal scanners? Laser sights? Above the junipers, a trio of blue lights hover: some kind of remote-controlled drone. These, the creatures we have chosen to repopulate the earth.

I was shooting a mini-series for Sundance/BBC, called 'Top of the Lake,' that was shot by Jane Campion, who's a beautiful native New Zealander and famous film director. The role I was playing was very intense, and they shaved half my hair off. So, I looked like this post-apocalyptic character.

I grew up in the '80s where there's a lot of these kind of post-apocalyptic, post-comet, post-whatever it was, so that always captured my imagination a lot as a little kid, that idea of getting access to secret places and being able to roam around where you're not supposed to.

Miami is just really fun whenever I go there. It's like this post-apocalyptic Barbie world: everything is pink, and there're palm trees everywhere.

I always love some sci-fi and any type of post-apocalyptic world idea.

I quite like post-apocalyptic films, things like 'Mad Max' for instance, because they are so full on and there is something quite cleansing about the post-apocalyptic because you can see where we all think we're heading.

If I think about music in the future, I imagine it often as not involving electricity, in some dystopian, post-apocalyptic future. And that's what I get from Penderecki: people making music by taking these instruments out of boxes and playing them. That's a very bizarre and modern thing.

Miami is just really fun whenever I go there. It's like this post-apocalyptic Barbie world: everything is pink, and there're palm trees everywhere. But then there are also all these people in crazy sunglasses, warehouses with sick parties where all the girls are covered in spikes and black leather. It's a very weird place.

Dude. Post-apocalyptic world. Who does job applications anymore?" "I do." I squint at it, then him. "What are you paying me?" I angle. "Dude. Post-apocalyptic world. Who does money anymore." I snicker. First sign of any sense of humor he's shown. Then I remember where I am and why. I wad it up and throw it at him. It bounces off his chest.

'Borne,' in a weird way, even though it's a totally different universe, picks up where the 'Southern Reach Trilogy' leaves off, because it's post-apocalyptic.

In 'Falling Skies,' I was playing a soldier and a fighter, and then, when I was taken captive, you're still in this post-apocalyptic world.

As a foreigner, I used to think all of Michigan was a post-apocalyptic wasteland of burning buildings, trashed cars, abandoned factories and broken dreams. But now I know that's just Detroit. It's only the Democrat-controlled areas that are a disaster.

My 'Rot & Ruin' series is a post-apocalyptic adventure for teens. My 'Joe Ledger' novels are science-based action thrillers for adults. My 'Dead of Night' stories are zombie tales for adults; my 'Pine Deep Trilogy' is classic horror for adults, and I've written nonfiction books on topics ranging from martial arts to folklore.

I began to wonder, what accounts for our collective affinity for the apocalypse? What is it about "the end" that makes it always seem just around the corner? And why do lawns in post-apocalyptic always appear freshly mowed if there's no one around to do it but the zombies?