Quotes About Experience

Performing for the Dalai Lama - those are words I never imagined coming out of my mouth.

When I started performing in public, I was probably around 10 or 11.

My first professional job was actually at a place called Opryland U.S.A., which no longer exists, but I've been performing since I was a kid.

I don't feel that I have to control every aspect of things that I appear in. You learn a lot performing someone else's writing.

Honestly, live is my favorite way of performing. Every show is a completely different energy.

I've been playing music since I was 12. I love performing live.

When I first came to New York City in 1967, I joined up with Richard Schechner's Performance Group - where we worked in the Performing Garage in SoHo.

While I love musical theater, it wasn't the right fit for me. It's so competitive, and I was at such a disadvantage, having started performing when I was 17.

I really enjoy theater. Performing live onstage is helping me to grow as an actress.

I like performing live more than anything. I get a little bit afraid in the studio.

It was an incredible experience performing for the members and attendees at the Diamond Resorts Invitational; it was such an impressive event, and I was honored to be a part of it.

I started performing in college, but I wasn't writing a lot.

I didn't know other children from divorced families, and I was a bit of a lost soul for a while. Then suddenly, I was performing. And it gave me an identity.

We've taken some performing arts schools on the set of 'Breaking Bad.'

Music at times is more like perfume than mathematics.

Without fullness of experience, length of days is nothing. When fullness of life has been achieved, shortness of days is nothing. That is perhaps why the young have usually so little fear of death; they live by intensities that the elderly have forgotten.

Drawing is giving a performance; an artist is an actor who is not limited by the body, only by his ability and, perhaps, experience.

Every dish is very connected to my own experiences. Perhaps I go deeper in the description and feeling in the dish than a male chef would. But it's difficult to say.

There have been a lot of amazing action games that, perhaps, the focus is on cinematics or story or even how the camera works so that they've created this amazing immersive experience.

I like today and perhaps a little future still, but the past is really something I'm not interested in. So, as far as I'm concerned, I like only the past of things and people I don't know. When I know, I don't care because I knew how it was.

I've never returned to the locations. I do remember certain days more clearly than others and certain locations with a sense of nostalgia. Perhaps one day, I'll bring my daughter to see them, if she's interested.

I hear a lot of artists become kinda self-referential, and a lot of people that tour a lot tend to write about the perils of being on the road later in their careers.

My time at Berklee College of Music was probably my greatest period of artistic growth and internalisation.

Our old age was in some respects the happiest period of life.