Quotes About Experience

It's been so long since I've had sex I've forgotten who ties up whom.

'Ten Year' was probably - I might say 'Ten Year' was my favorite filming experience of anything I ever worked on. It was totally different from 'Moneyball' in that it was a small budget, independent movie. It had a giant ensemble of actors, all of whom were basically working for free.

My job is to have empathy and curiosity for things that I've never done. Also, I'm a person whom people talk to.

If your reading habits are anything like mine, then you can remember the exact moment that certain books came into your life. You remember where you were standing and whom you were with. You remember the feel of the book in your hands and the cover, that exact cover, even if the art has changed over the years.

I was very influenced by Eric Clapton and Jimi Hendrix, both of whom I had the pleasure of playing with and becoming friends with.

In the case of my book, I don't think it's really the coming-out gay novel that everyone really needed, even though it was received as such. The boy is too creepy, he betrays his teacher, the only adult man with whom he's enjoyed a sexual experience, etc.

For me to go back and to play for audiences some of whom have been following me for thirty years and some who have found me in the last five or six years, that's really an interesting thing. I have an audience that goes from kids to seventy year olds.

I would not change anything I've done or what I've lived, and with whom I have lived it.

But it must not be thought that I say this out of personal experience: for in the many years that I have been before the public my secret methods have been steadily shielded by the strict integrity of my assistants, most of whom have been with me for years.

To those of us who have seen all of Eric Rohmer's films, it is impossible not to remember when, where, with whom we saw each one. I even remember the second and third time I saw his films.

Had I not stepped into the saddle in the first place, entire cultures, histories, and most importantly, profound connections with people and animals whom I now counted as my friends would have otherwise passed by, invisible.

I had to get used to seeing Samantha Bee around. I had to get used to seeing Jon, like, getting a bagel, and to John Oliver, and all these people whom I had seen on TV. Colbert would sometimes drop by. I had to get used to being a part of this multiple-Emmy-winning machine and being this 22-year-old black girl who was really green.

I have the greatest respect for Aborigine people, to whom I owe everything. The time I spent with members of the Pijantjatjara and Pintupi tribes in Australia was a transformative experience for me and one that has deeply and indelibly informed my entire life and art.

I've learned through experience of playing different characters, some of whom were jerks, that when you play a character who is pretentious or obnoxious, in any way, it's important to knock them down a peg.

I like characters who are changed, often for the better, by the dark nature of their experiences. I also can become engaged by a character for whom I wish to see justice done, one way or the other. In general, I require a book to have some sort of moral center.

In college, my big money memory was saving up to buy a car with my boyfriend, whom I lived with.

The older one gets in this profession, the more people there are with whom one would never work again.

I'll tell you, being on set on 'Harry Potter' was nerve-wracking. It was surreal to be in a room with those three kids, all of whom know exactly what they're doing.

My own experience with being interviewed is mixed. I suppose they're a part of my job, and as I would like readers to connect with my books, I do them. I've also made many lifelong friends whom I first encountered as interviewers - as a writer, they're a terrific way to meet and add smart new people to one's life.

If you spend 72 hours in a place you've never been, talking to people whose language you don't speak about social, political, and economic complexities you don't understand, and you come back as the world's biggest know-it-all, you're a reporter. Either that or you're President Obama.

Obama is an intelligent man whose life and work experience sensitize him to class distinctions.

As income inequality increases, the social and political sway of those at the very, very top grows, too. They are nearly all men, and men whose lived experience tells them that women, for whatever reason, just don't have what it takes.

For me, I'm always looking for opportunities to work with people who are better than me, who are more experienced than me, people from whom I can learn. And who could I learn more from than someone with an unprecedented movie star career that has spanned over thirty years whose name is Tom Cruise?

You can teach all sorts of things that improve the practice of management with people who are managers. What you cannot do is teach management to somebody who is not a manager, the way you cannot teach surgery to somebody whose not a surgeon.