Quotes About Experience

Remy Ma is from the Bronx and I'm from the Bronx. The stories in her music are similar to what I've experienced.

The only thing I would tell my younger self is, 'Don't pay a lot of money for head shots.' There's always some dude in Brooklyn that's like, 'Dude, this is gonna get you the job.' And he convinces you you've got to pay $700. You don't! Your head shot doesn't matter!

Just playing in Brooklyn, playing in New York is such an amazing experience - it's something that can be so special.

My brother knows more about film sets than I do, because he works at New York Film Academy.

I didn't like the idea of acting back in school. Both my brothers were into it.

I really don't know anything else because my brothers were famous when I was two years old. So I know nothing else, no other life.

I was a semiotics major at Brown, and there's this idea that stories are better, books are better, and movies are better if they cocked you off your axis and you were completely disoriented and you'd really have to rethink everything. Nobody has that experience, actually.

When I think of the 1980s, the only color that comes to mind is a brown, yellowish color. I guess it's coming from my life experience, and it's melancholia and sadness and a bit of joy.

I had never taken acting at Brown to be the beginnings of a career. I always did it just for fun.

Larry Brown had quite a resume.

I learned a lot during the Matt Brown fight.

Moving from Rome to Brussels was hard.

It's on my bucket list, to get in a real fight.

And living in Budapest for eight months was incredible.

I ended up getting to do a lot of student films - no budget: somebody just wrangled up a camera and went to shoot stuff - and it was fun. It was great.

I have done serious roles in various films including 'Budget Padmanabhan,' 'Thaththi Thavudhu Manasu,' among others.

I've been really fortunate in my career to do budgets at all different levels.

The acting bug first bit when I went to see 'Rosencrantz and Guildenstern Are Dead' at the Old Vic.

I came from the country, and when I came to the city, I was ridin' high, you know. I was seeing more lights than I ever dreamed to shine in the world. 'Cos where I came from, there wasn't too many lights. Bugs made a lot of light, but after that there wasn't no lights.

A lot of my building blocks - who I am kind of as an artist - all came from being in L.A.

My buildings don't speak in words but by means of their own spaciousness.

I like to study culture and buildings and it's something I do on tour.

You can look back on a lot of things and things that could have been changed, but ultimately those things make you who you are. It builds character. I'm OK with that.

Since I was growing up, I was always the younger one playing with older guys. They called me Young Bull and that just stuck.