Quotes About Experience

Fair Oaks Farm in Indiana - listen, if you have a chance to go there, it's better than Disney World, because it's all real.

When I talk about the early years in Oakland, I don't want to take anything away from who that player was, because that player was still a heck of a player, that player was just young. I played off the field the same way that I played on the field.

I wasn't really happy in Oakland or anything like that.

My mom started working at the California Shakespeare Theater in Oakland when I was two years old, so I've always grown up around theater.

I grew up in L.A., I moved to Oakland when I was 14.

When I was 12, I didn't know about Nirvana or Oasis or any of those people. I was listening to Ella Fitzgerald and Gershwin.

My art has no object, no image, no point of focus.

The dream of the theater for for me is that it's a room full of adults and kids. I want kids and grownups to be totally focused on the same object.

I'm not about either entertaining or instructing. The entertaining and instructing are secondary fallout from the fundamental thing, which is basically to create an aesthetic object.

I have many moods, and there is no objective reality. And I kind of live by that.

They just take on great stories and they tell great stories. That's their only objective, at least that's been my experience, so as a result we were encouraged to push the envelope and not hold back. I hugely respect Marvel for that position.

What is the truth? Is it what you experience? Is it what I experience? Or is there some objective truth in between?

Your objectives change throughout your career and with more experience you kind of use the energy for the good stuff and you don't burn energy for the wrong stuff.

I think 21st century should be art without objects.

The sensory acts are accordingly distinguished by their objects.

My desire is to bring astronomical events and objects down into your personal, lived-in space.

'Sharp Objects' is honestly one of my most exciting reading experiences.

When I went to college, it became more of a hobby, and that's when I think I got the realest music education. It wasn't something that I had to do. It wasn't an obligation.

I don't always see my movies right away. And there are some I haven't seen at all. Sometimes that bothers the directors, so I'm obliged to see them.

I guess I try and learn all the time from every experience in life, so my thinking is a hybrid of everything. I'd have to attribute some of that to my work in the fashion industry - in some obscure way.

I was flavour of the year for a couple of years, and then, like everyone else, I faded into obscurity. I didn't car;, I loved it.

When you're drawing from observation and experience, whether you intend to or not, you'll create a more relatable cartoon.

In my experience and observation, senior appointments are rarely based entirely on merit.

I believe that you can always learn from observation.