Quotes About Experience

Chinese dumpling and noodle trainspotters know that the best versions usually come from obscure hole-in-the-wall joints where personal space and flattering lighting isn't a consideration and splatter-proof menus are customary.

If you know what you're doing, you can make a meal happen with any kitchen knife. But using a top-quality knife versus a low-quality one is the difference between driving a Jaguar and a VW Jetta across the country. They'll both get you there. But the Jaguar will give you a much smoother ride.

To me, cinema is not a movie or a TV screen, and it's not a seat in a building versus one in your living room. It's the art of motion pictures.

I thought poker might be a perfect environment to start to learn probabilistic decision-making, and to live what it means to have skill versus chance and to see how that played out. I would dive in head first into the poker world.

I know the music industry is based on a lot of smoke and mirrors in a lot of cases, such as making things look like one thing versus what it actually is. I feel like I've been here long enough that I've surpassed the need for any of that.

It doesn't sound that cool to say it, but I still get nervous for any show. But it's different degrees - playing a small basement of a club versus playing a festival like Firefly or Bonnaroo. The feeling is, 'Crap, I'm about to be blasted in the face,' and once you get started, then it's like, 'OK, I've done this before. I know what I'm doing.'

I've always loved acting with adults versus like the whole High School feel.

The stories that I want to tell, especially as a director, don't necessarily have a perfect ending because, the older you get, the more you appreciate a good day versus a happy ending. You understand that life continues on the next day; the reality of things is what happens tomorrow.

New media's not very old, hence the word new, so we don't know a lot of things about new media and by the time you've taught it it's probably out of date. I think it's much more beneficial to have an experiential lesson versus a classroom lesson in new media.

I try to write about internal experience versus the external self. I like to present ideas, but not package them neatly.

I think theater is more about living and breathing, versus TV, which can vary.

'The A-Team' compared to making 'Narc' was a breeze. There's a whole other skill set and whole other kind of bone structure that goes into making a movie like 'Narc' versus 'The A-Team.'

I made a series for ITV, just after I retired from Tests in 2009, called 'Flintoff Versus the World.' The idea was that I would attempt a series of extreme sports - rodeo riding, jumping out of aeroplanes, paragliding, cliff diving. I thought, 'Yeah, it looks fun. It's six weeks having a laugh.'

I feel like with 'Hubie,' it was just a matter of the difference between working on a movie versus a TV show. TV shows, it's like a long period of time and you're living there, and with this movie, it was kind of in and out.

We've been out of the country one time, in sophomore year, first game of the season versus Penn State, but it was in Ireland actually.

I just think anytime you go through experiences, you get better - whether it's something as simple as scheduling, days off, shells practice versus padded practices, do we defer the coin toss, do we take the ball, do we want to take a timeout in this situation?

We get so enamored by speed, size, vertical jumps, and all these other measurables and tangibles. But what makes a great football player isn't size or speed. Great football players know how to play the game, and they push harder than guys twice their size.

I did my first Broadway play, 'The Vertical Hour,' in 2006, with Julianne Moore, who's always been one of my favorite actresses. My scene was with her, so it was nerve-racking.

I remember seeing Oliver!' when I was six and having vertigo in the theatre - I experience that even when I go to theatres now.

It gives me vertigo to watch TV dramas.

Basically, I really love work that puts the reader into a kind of vertigo, into a real doubt, and a beautiful way to convey that, a really perfect metaphor for that, is to make the reader also experience doubt.

See, life is a journey and every chapter is very interesting.

Everything happening around me is very random. I am enjoying the phase, as the journey is far more enjoyable than the destination.

I don't think that architecture is only about shelter, is only about a very simple enclosure. It should be able to excite you, to calm you, to make you think.