Quotes About Experience

Playing without a crowd is a disadvantage.

No matter who I fight, I'm going to be at a disadvantage in the experience department.

I think starting a cinema career late in life has more advantages than disadvantages.

I want to show the richness of even the most disagreeable bits of life.

Once, Pina Bausch was about something, however disagreeable.

When I sing songs, I love to put emotion into it. I want people to feel what I feel and just disappear for a moment.

I didn't have many romantic relationships, and the romantic scent inside me was beginning to disappear.

A lot of the attitude I used to have about being from New York when I was younger just disappeared when I started to the rest of the world.

For those who turn to literary biography for salacious details, 'Flannery' will disappoint. It is the biography of someone who had very little chance to live in the conventional sense, to experience events.

Audiences don't ever disappoint me, in the sense that movies I feel really good about, they usually feel really good about too.

The experience of 'Braveheart' was great, but I was a little disappointed that we weren't telling the rest of the story.

I wish I had had a great disappointment, a real one.

I now have 10 years' more experience from when I broke into the game. I can deal with disappointments easier, and all of that helps to make me a better player. It's the same in any walk of life, in any job.

It's the writer's job to disarm the reader of his logic, to just make the reader feel.

There are two things in New York, euphoria and disaster.

I always tell myself every disaster is more material for my work and another anecdote to tell.

I think for the disaster to work and the drama to work, you really need to feel like you're really in that world.

If you want to say I was a disaster of a player, then say it. But give me another disaster of a player who played almost 500 games across 14 years.

I've had some real hair disasters.

The baseline character in a lot of Western literature is a man. So we, as women, do a lot of suspending of our disbelief to experience a novel or a play or a movie through that male character.

And I seemed to discern a power and meaning in the old, which the more impassioned would not allow.

Error is discipline through which we advance.

Although I was writing songs when I was younger, I didn't feel I had much of a clue as to what I was doing or how I was doing it. There are a few songs from my past where I thought, 'Well, that's pretty decent,' but I didn't have a discipline. I suppose I'm kind of a late bloomer.

In theatre there is a certain discipline that you have to follow, and you have to be experienced to be performing in front of a live audience. It is satisfying to me.