Quotes About Dixieland

The podcast 'A History of Jazz' began telling its story in February - 100 years after the recording of 'Livery Stable Blues' by the Original Dixieland Jazz Band, the start of jazz as a legitimate branch of music.

Very few of the men whose names have become great in the early pioneering of jazz and of swing were trained in music at all. They were born musicians: they felt their music and played by ear and memory. That was the way it was with the great Dixieland Five.

In the Bay Area, there was a resurgence of Dixieland jazz in the '40s - there was the Frisco Jazz Band, and Lu Watters and the Yerba Buena Jazz Band.

The only type of music I don't like is Dixieland jazz. It's just a little too happy and noisy for me. I like intervals and spaces in my music. There's just something about Dixieland.

Like the New Orleans tradition that preceded it, and the Swing Era offerings that followed it, Chicago jazz was not just the music of a time and place, but also a timeless style of performance - and for its exponents, very much a way of life - one that continues to reverberate to this day in the works of countless Dixieland and traditional jazz bands around the world. For many listeners, the Chicago style remains nothing less than the quintessential sound of jazz.

Of course my uncle was a giant, but my dad, in particular, had the house filled with these great Dixieland jazz stars, really the best of them: Henry Red Allen, Willie 'The Lion' Smith, Buster Bailey, Cutty Cutshall, Tyree Glenn, Zutty Singleton. These are all big names in the Dixieland world.