Quotes About Perspectives

I must have interviewed 600 or 700 scientists all around the world.

I think diverse stories are just stories. I don't think 'diverse' is an add-on package. Things that are not diverse are weird because that's not accurate.

Most people don't read editorial pages. I think I must have been 40 before I even looked at an editorial page.

I would like go to Palestine and interview people there about what their lives are like; same thing in Iran.

You always want to have a mix of conservatives and liberals on a panel, especially on election night.

The sheer amount of ideological conflicts playing out within the text hints at the fact that the writers were writing about a reality that could not be reduced to one description, a reality that was testified to better in the clash of perspectives than in the development of a single, finely honed one. The text was written not to be approached as an academic document detailing facts about the life of faith but rather as an invitation into the life of faith.

an inadequate diversity of views. Our

an inadequate diversity of views.

The more people and perspectives in your sphere of reference, the more likely good insights and opportunities will combine

I visited blathernodes, soaked myself in other people's opinions.

There was no shortage of perspectives. The noosphere seethed with scenarios ranging from utopian to apocalyptic.

When you combine the judgments of a large group of people to calculate the "wisdom of the crowd" you collect all the relevant information that is dispersed among all those people. But none of those people has access to all that information. One person knows only some of it, another knows some more, and so on.

But groups also let people share information and perspectives. That's good. It helps make dragonfly eye work, and aggregation is critical to accuracy.

Our similarities are different.

In reality, there are tons of unrepresented voices that we don't see in comedy.

Unlike novels with a hero or two heroines, in 'One Amazing Thing,' all the characters tell stories they've never told anyone before, so all the voices become equally important.

We have more voices from more points of view on the C-SPAN call-in show than I've heard anywhere else. You can literally tune us in every day and hear it all. You can't control it, and you shouldn't control it.

I think it's a good thing to have a lot of voices in the media, and I think, you know, let all flowers bloom.

I do think, however, that there's a very diverse point of view in the African-American community. There's a lot of different voices that need to be heard. I don't claim and pretend to know the thoughts and opinions and ideas of all African-Americans.

I have so many different voices and stories to tell.

You have to have more people who don't look like you in the writers room. I try to have some people who don't look like me in my writers room. I think it's important to have a group of voices, of people who can dissent.

Faulkner's 'As I Lay Dying' had an immense effect on me, and most of my novels bear the burn marks of this experience, those short chapters with their conflicting points of view, truth expressed by multiple perspectives. The other attractive thing about 'As I Lay Dying' was the way it gave rich voices to the poor.

There's always been really interesting, diverse black voices talking and arguing and counterpointing.

I really admire other voices.