Quotes About HBO

HBO spent a huge amount of money on 'Game Of Thrones,' and it won't be able to keep spending the money if it can't make it back from people watching it legitimately. It will have an effect on the quality of the programme.

I have been the hugest HBO fan since I was 3, watching programming that I had no business watching as a child.

I'm trying my hand at writing. I'm writing a couple of projects for HBO, a half hour comedy and a miniseries.

Well I directed a few feature length things for HBO in the late eighties.

When dealing with HBO, you actually are dealing with real filmmakers.

My first job out of college was with HBO. I worked in a small sales office in Chicago. So, I can say that even when I was just a little, low-on-the-totem-pole assistant for HBO, they were always amazing.

I'm very excited to fight for the first time in the United States and on HBO.

HBO is undeniably a leader in meaningful storytelling in a wide array of formats. I'm honored to join the REAL SPORTS team and look forward to continuing my fervor for uncovering unique and impactful stories.

At HBO, you've just basically got a studio full of artistically driven smart guys and women who really care about the quality first and foremost.

I am very lucky that my first film was fully commissioned by HBO.

The first television show I did was a production called 'The Pacific,' which was this huge HBO series with an insane budget and 300 extras and a crew of 150. We were filming out in the middle of the wilderness in my hometown. I was so green. I didn't understand anything that was happening.

I own four copies of Robin WIlliams's Live on Broadway comedy special for HBO. One in Wilmington, one in L.A., one in my trailer, and one at my parents' house. I can watch it over and over again and it never gets old. He is the funniest, wittiest man on the planet!

I'm grateful to HBO for telling my story, and I'd like to thank everyone for their ongoing support.

I was a big fan of the show 'Deadwood' on HBO, which was created by David Milch. And as soon as I heard that all of those characters on Deadwood were based on real people, the first thing I did was Google everybody.

I was on a show called '12 Miles of Bad Road' with Lily Tomlin - it was an incredible HBO show. We shot 6 episodes, previewed it before the finale of 'The Sopranos;' it was written up as a 'Great New Show on HBO,' and then the whole thing was canned. Gone. Disappeared. That's when I realized anything can happen in this business.

I really loved the 'Sopranos' but didn't have HBO. So someone would send me tapes of the show with three or four episodes. I would watch one episode and go: 'Oh my God, I've got to watch one more.' I'd watch the whole tape and champ at the bit for the next one.

Before I even got 'Saturday Night Live,' I was already known as the furthest thing from a goat boy. I had a stand-up routine, which I was all ready to do on HBO, before 'Saturday Night Live,' so if my routine was dependent on being a goat, I would want to quit.

Television has changed. There's obviously the generic shows, but on HBO and AMC, there are some really great series, so I'm not closed off to television. If there's an amazing role with amazing people and a great story, I'd definitely be open to it.

Frank Sobotka in 'The Wire' on HBO was one of the greatest characters I've ever played. They cut his throat at the end of that season. There's something about creative coupling that seems to go with great characters, and the fact that you can never play them again once you're done.

I've never done a big series like 'Game of Thrones' before. All I knew was that it was HBO, and I'd seen what they had done with 'The Sopranos' and 'The Wire.' But when I started reading the script, it was a no-brainer. Yes, yes, yes. Gold. Every time I turned the page.

The writing in those HBO dramas, like 'The Wire,' is as good as anything I've seen.

'Rome' was one of my favourite shows, and I wish HBO had given it three more seasons 'cause I would have loved to continue watching it.

I'm very, very proud to have been at what I feel are two of the pivotal moments in this whole new Golden Era of television - one being 'The Sopranos' with HBO and now with Netflix expanding that whole HBO concept to the world and making it more of a global thing. It's been wonderful to witness that from those two vantage points.

For years we've had all the big-hitting HBO box-set dramas, all these brilliant, witty, clever shows, and in return the only thing we've had to offer is big period dramas like 'Downton Abbey'.