Quotes About Family

I grew up in a feminist household in Hackney, East London, my mum was responsible in many ways for the feminist stain on the socialist party, and my dad had really strong feminist leanings.

My parents scrimped and saved all their lives, to the point where my mother used a disgusting old oven mitt that was stained and partly patched together with a skirt I made in seventh grade.

My dad's an artist, and my grandfather paints - he's not a painter; my grandfather's a butcher - but he does a lot of crafts, stained glass, painting, that stuff. There is art in our family, and I was an art major in college along with being a theater major.

I grew up in what some would call an immaculately clean home. I hated my mom a little for it. I wasn't allowed to paint my nails, since they'd chip and 'look trashy.' My brother and I didn't run around in clothes that had holes or were stained.

We live in a flat; my wife would be happy if we had a house with stairs. Or a little cottage in the country.

The first stage I preformed on were the stairs to the hallway in the living room. There was a really nice platform, and when people were sitting in the living room, it was kind of an elevated platform and we would put on shows and skits.

When I was very young, my father had an accident. He fell down a flight of stairs, fractured his skull, and lost sight in one eye.

I'll come down the stairs, and my parents and sister will be like, 'What are you wearing?'

I can't just lie in bed and be self-obsessed if there are two children running about who could easily fall down the stairs.

When family and friends go to Everton, they tell me that there's a moment when I get the ball, and fans get to their feet in anticipation. There's so much at stake that people live under permanent pressure.

The thing is that my father's story helps to communicate what was at stake with my mother, and my mother and father had so much a partnership that his story is integral to her story, as her story is to his - really, her story can't be told without his story.

I have such respect for guest actors. They don't know all the characters as deeply as the regulars, and the cast isn't your family, so you have more at stake.

If my kids came to me and said, 'I'm gay,' I'd say, 'Son, I love you.' That's never at stake. Never, never, never at stake.

It's great when people have the confidence to discuss their sexuality if it works for them. I can't fault someone for not coming out, because I don't know their journey, what scares them, what's at stake, or how it will affect their personal life or family.

It's a multi-billion dollar industry run by our family. That gives us some real unique advantages. We know our sport and our industry better than anybody else. We have the values from the original days. We understand how our stakeholders win and lose in a big way. So I think gives us an advantage to be family controlled, family owned.

An adversarial family law system raises the stakes unnecessarily high, exacerbates the antagonism of the couples concerned, and is directly responsible for making it impossible for couples who would otherwise have reconciled to do so.

I watched 'Kojak' religiously with my father. It was a great bonding time. He loved shows where the stakes were high. Life and death, justice prevailing, things like that. I think that helped set me on the path to what I do now.

Sometimes in TV, it can get really stale, especially if you're doing these 23-episode years. It's a lot of work, and to put your family through that, on a location, is not always the greatest thing in the world.

The only thing that's really hard for me is when I go to bed after everybody else in my house gets up. And that - you just feel stale. It just feels awful to be still finishing your day when everybody else is starting theirs.

I wanted - and still want - to tell my mother's story. She fled Stalin's army in 1944, leaving Latvia, which was to be occupied by the Soviets for the next 50 years, and arrived to the U.S. when she was 11.

Because my dad's Chinese-American, and they're very concrete, he said, 'There's no money to be made in literature.' So he told me to go into the sciences. And I was a good girl. And I did what Daddy said. And that's how I ended up being a doctor. But you know, you just can't stamp out that desire to tell stories.

Nobody wants to be on food stamps, but when my family lost everything, we were grateful for it. I was grateful the program was there so I could concentrate on my schoolwork and not on my empty belly. We were grateful that we had the support we needed to roll up our sleeves and rebuild our lives.

My dad was a keen philatelist and, when he died, he left me an album he'd curated over some 40 years. He'd handpicked every item, saying each one reminded him of me. I opened it to discover the pages were full of beige stamps bearing the image of George V. Take from that what you will.

I used to go to Caerphilly with my brother Les, two years older than me, with my mother to see her sister, Gladys. When they wanted to talk we'd have to leave the room. She'd say to her husband Stan 'take them in the front room and play the piano.'