Quotes About Soundtrack

I really like listening to music when I'm hiking or exercising. I don't like hearing myself breathe.

In a soundtrack, you are in a way always relating with... a combination of different languages. It has to have the same path and same rhythm. Sometimes it's a polyphony of languages that have to work together in some way. With musical projects alone, you can be more free.

I'm really surprised at how popular 'Starstruck' has become, but I'm so thankful because we worked so hard on it, and I'm happy that so many kids enjoy it. I'm also really happy at how the soundtrack turned out!

To be honest, neither 'Satta' nor 'Stumped' needed songs and music. But when we recorded a good soundtrack album, everyone suggested we create credible situations for songs.

Most of his life was played out to a soundtrack of sadistic decibelage.

I said it before and I'll say it again: books are dead, plays are dead, poems are dead: there's only movies. Music is still okay, because music is sound track. Ten, fifteen years ago, every arts student wanted to be a novelist or a playwright. I'd be amazed if you could find a single one now with such a dead-end ambition. They all want to make movies. Not write movies. You don't write movies. You make movies.

The main difference I'd say is that European cinema has always used less music than American cinema for historical reasons.

I'm a hip hop dude who loves scoring for film.

so I turned on the radio and of course it was a Tom Petty song—is there ever a time you turn on the radio and don't hear a Tom Petty song?—so

As a worship leader, I feel this sort of responsibility to help add to the soundtrack of people's day.

I really like films that don't let the score influence the tone too much.

One thing about Fleetwood Mac's remarkable history is not ambiguous: this soap opera has the greatest soundtrack of them all. —SEAN EGAN

When I was doing 'The Sopranos,' I liked putting music together with the film; that was my favorite part of it.

It's fucking lame, is what it is! The swords look like they were made out of tinfoil. And that soundtrack is epically lame. Full of synthesizers and shit. By the motherfucking Alan Parsons Project! Lame-o-rama! Beyond lame. Highlander II lame.

I like to imagine the iPod as the soundtrack to people's lives. It makes ordinary life a bit more like the movies.

The score I always have on heavy repeat is 'Raiders Of The Lost Ark!'

Usually when I am approached to do a score for a horror movie, it's to attempt a repeat performance of what I did way back on 'Hellraiser' or 'Jennifer 8' - one of those really orchestral scores.

Music in this film is a very important part.

In film, I was surprised when I first saw the movie 'Drive.' I said, 'Oh, God. It sounds great - I love it. Wow, this could be the soundtrack from 'American Gigolo' or 'Cat People.' But I'm surprised that the director would agree with a composer to write that kind of sound.

Here's something I probably shouldn't be saying: I never listen to my soundtrack albums because I can't stand it. It's just stereo. When I write, I write in surround. My life is in surround.

I put music on and I drive around town.

When you're editing the film, you use a temp track. So you're putting music in there for a rough cut to keep track of what's going on. It can be a hindrance if wrong, it can be an enormous asset if you get it right.

The problem with real life is there's no musical score. In movies, you know you're in danger because there's an ominous chord underlining the scene

Time won't stop and life won't stand still. But I have a feeling that if I just look backward once in a while at Dorothy, if I am off beat in any way, I'll get back on the soundtrack again. . . .