Quotes About Quartets

In his late quartets, Beethoven introduces an element that shouldn't be there, that should be left for meditation, though I love them. I can see that through them came Wagner and Mahler and Schoenberg and Berg. And then came Tracey Emin. And I can see it all as one downward path.

On the night of Brexit, while some people were celebrating and others were having wakes, I stayed in and played Beethoven, his quartets mainly, into the small hours of the morning.

We used to play the underground clubs like the UFO, and Middle Earth, and they were great because they would have on things like a poet, string quartets, and then a rock band! It was kinda cool!

One might have supposed one's self at an opera in listening to the voices in my aviary. There were duets and trios, and quartetts and choruses, all arranged as in one piece of music. Did I want silence from the birds? I had but to draw a curtain over the aviary, and their song hushed as they found themselves left in the dark.

These stories seem at times to be stories of a long-lost world when the city of New York was still filled with a river light, when you heard the Benny Goodman quartets from a radio in the corner stationery store, and when almost everybody wore a hat.

I went out on the road when I was 12 years old, playing with the Sullivan Family Gospel Singers. That was the summer of 1972. We played Pentecostal churches, camp meetings, George Wallace campaign rallies and bluegrass festivals. As a kid, I had grown up watching quartets that were very entertaining.

We used to play the underground clubs like the UFO, and Middle Earth, and they were great because they would have on things like a poet, string quartets, and then a rock band! It was kinda cool!

Part of me is probably more conservative than people realise. I like my old string quartets, I don't like music that's trippy for trippy's sake.

It seems to me the structure of the Quartets is too imposed.

There is no objective test for divine revelation, no forensic evidence to evaluate. Even for the believer it is an experience beyond normal comprehension. It is, as T.S. Eliot put it, the intersection of the timeless with time. Mortals on occasion may, perhaps, catch transient glimpses that give intimations of this profound experience, which is the theme of Eliot's poem The Four Quartets.

It was the quartets of Beethoven (numbers 12,13,14, and 15) which over fifty years, created and expanded the the audience of listeners to the quartets of Beethoven, thus achieving, as all masterpieces do, progress if not in the quality of artists, at least in the company of minds, which is largely composed these days of what was missing when the work appeared: people capable of liking it.